360 results for your search

Israel in Egypt
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directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1738); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 4 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1738); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 4 mins
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Samson
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directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1741); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 6 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1741); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 6 mins
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Vivaldi: Gloria / Bach: Mass in G Major
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conducted by Harry Christophers, 1953-; performed by The Sixteen and Orchestra of the Sixteen (Coro, 2018), 1 hour 11 mins
conducted by Harry Christophers, 1953-; performed by The Sixteen and Orchestra of the Sixteen (Coro, 2018), 1 hour 11 mins
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Sacred Works:Elias, Paulus, Psalms, Symphony No. 2 „Lobgesang“, (CD 1-3)
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composed by Felix Mendelssohn, 1809-1847; conducted by Helmuth Rilling, 1933- (Hänssler, 2018), 2 mins, 66 page(s)
composed by Felix Mendelssohn, 1809-1847; conducted by Helmuth Rilling, 1933- (Hänssler, 2018), 2 mins, 66 page(s)
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Brich an, O Schönes Morgenlicht
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composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Andrew Trachsel; performed by Lucas Rego Borges, Ohio State University Wind Symphony; in Color + Light (Mark Custom, 2016), 1 min
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Andrew Trachsel; performed by Lucas Rego Borges, Ohio State University Wind Symphony; in Color + Light (Mark Custom, 2016), 1 min
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Coro: Jachzet! Frohlocket!
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composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart and Gächinger Kantorei Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 2) (Hänssler Classic, 2016), 7 mins
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart and Gächinger Kantorei Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 2) (Hänssler Classic, 2016), 7 mins
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Sinfonia (X)
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composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 1) (Hänssler Classic, 2016), 5 mins
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 1) (Hänssler Classic, 2016), 5 mins
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Davide penitente K. 469
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directed by Andy Sommer; composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Marc Minkowski; choreographed by Clément 'Bartabas' Marty, 1957-; produced by Bernhard Fleischer, 1971-, ARTE, Bernhard Fleischer Moving Images and Österreichischer Rundfunk; performed by Christiane Karg, fl. 2015, Marianne Crebassa, fl. 2015 and Stanislas de Barbeyrac, Les Musiciens du Louvre, Versailles Academy of Equestrian Arts and Salzburger Bachchor, in Bartabas in Salzburg (Berlin, Berlin State: C Major Entertainment, 2015), 56 mins
For this spectacular production of Mozart's Davide penitente on the vast stage of the Salzburg Felsenreitschule at the Mozart Week 2015, Marc Minkowski and the equestrian choreographer Bartabas used dancing horses and thus restored the former riding school to its original function. Horses, riders from the Académi...
directed by Andy Sommer; composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Marc Minkowski; choreographed by Clément 'Bartabas' Marty, 1957-; produced by Bernhard Fleischer, 1971-, ARTE, Bernhard Fleischer Moving Images and Österreichischer Rundfunk; performed by Christiane Karg, fl. 2015, Marianne Crebassa, fl. 2015 and Stanislas de Barbeyrac, Les Musiciens du Louvre, Versailles Academy of Equestrian Arts and Salzburger Bachchor, in Bartabas in Salzburg (Berlin, Berlin State: C Major Entertainment, 2015), 56 mins
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Christus am Ölberge
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composed by Ludwig van Beethoven, 1770-1827; conducted by Helmuth Rilling, 1933-; produced by Richard Hauck; performed by Maria Venuti, Keith Lewis, fl. 1996 and Michel Brodard, 1946-, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart (Hänssler Classic, 2014), 54 mins
composed by Ludwig van Beethoven, 1770-1827; conducted by Helmuth Rilling, 1933-; produced by Richard Hauck; performed by Maria Venuti, Keith Lewis, fl. 1996 and Michel Brodard, 1946-, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart (Hänssler Classic, 2014), 54 mins
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