360 results for your search
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Israel in Egypt
directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1738); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 4 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Sample
directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1738); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 4 mins
Description
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Date Written / Recorded
1738
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Contributor
Donato Renzetti, 1950-, Mary Anne Rothberg, fl. 2012, Jonathan Mann, fl. 2012
Author / Creator
George Frideric Handel, 1685-1759, Alex Bayer, fl. 2005, Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Date Published / Released
2021
Publisher
Public Broadcasting Service
Copyright Message
Copyright © 2021 Provenance Productions
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Samson
directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1741); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 6 mins
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Sample
directed by Alex Bayer, fl. 2005; composed by George Frideric Handel, 1685-1759 (1741); conducted by Donato Renzetti, 1950-; produced by Mary Anne Rothberg, fl. 2012 and Jonathan Mann, fl. 2012; performed by Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia and Francesca Dotto, Orchestra del Teatro Lirico di Cagliari and Coro del Teatro Lirico di Cagliari (Arlington, VA: Public Broadcasting Service, 2021), 6 mins
Description
An Italian opera company restages an oratorio last performed in 1826. Organized by Mozart’s librettist Lorenzo Da Ponte, the 1826 event changed America’s cultural landscape with the introduction of Italian opera to New York City.
Date Written / Recorded
1741
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Contributor
Donato Renzetti, 1950-, Hamilton, Newburgh, 1691-1761, Mary Anne Rothberg, fl. 2012, Jonathan Mann, fl. 2012
Author / Creator
George Frideric Handel, 1685-1759, Alex Bayer, fl. 2005, Orchestra del Teatro Lirico di Cagliari, Coro del Teatro Lirico di Cagliari, Daniele Terenzi, Pier Luigi Dilengite, Patrick Kabongo, Salome Jicia, Francesca Dotto
Date Published / Released
2021
Publisher
Public Broadcasting Service
Copyright Message
Copyright © 2021 Provenance Productions
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Vivaldi: Gloria / Bach: Mass in G Major
conducted by Harry Christophers, 1953-; performed by The Sixteen and Orchestra of the Sixteen (Coro, 2018), 1 hour 11 mins
Sample
conducted by Harry Christophers, 1953-; performed by The Sixteen and Orchestra of the Sixteen (Coro, 2018), 1 hour 11 mins
Date Written / Recorded
1991
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen, Orchestra of the Sixteen
Contributor
Harry Christophers, 1953-
Author / Creator
The Sixteen, Orchestra of the Sixteen
Date Published / Released
2018
Publisher
Coro
Copyright Message
Copyright © 2018 The Sixteen Productions
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Sacred Works:Elias, Paulus, Psalms, Symphony No. 2 „Lobgesang“, (CD 1-3)
composed by Felix Mendelssohn, 1809-1847; conducted by Helmuth Rilling, 1933- (Hänssler, 2018), 2 mins, 66 page(s)
Sample
composed by Felix Mendelssohn, 1809-1847; conducted by Helmuth Rilling, 1933- (Hänssler, 2018), 2 mins, 66 page(s)
Date Written / Recorded
1994
Field of Study
Classical Music
Content Type
Music recording
Contributor
Helmuth Rilling, 1933-
Author / Creator
Felix Mendelssohn, 1809-1847
Date Published / Released
2018
Publisher
Hänssler
Copyright Message
Copyright © 2018 by Hänssler
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Sacred Works: Elias, Paulus, Psalms, Symphony No. 2 „Lobgesang“ (CD 4-6)
composed by Felix Mendelssohn, 1809-1847; conducted by Helmuth Rilling, 1933- (Hänssler, 2018), 6 mins, 57 page(s)
Sample
composed by Felix Mendelssohn, 1809-1847; conducted by Helmuth Rilling, 1933- (Hänssler, 2018), 6 mins, 57 page(s)
Date Written / Recorded
2003
Field of Study
Classical Music
Content Type
Music recording
Contributor
Helmuth Rilling, 1933-
Author / Creator
Felix Mendelssohn, 1809-1847
Date Published / Released
2018
Publisher
Hänssler
Copyright Message
Copyright © 2018 by Hänssler
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Brich an, O Schönes Morgenlicht
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Andrew Trachsel; performed by Lucas Rego Borges, Ohio State University Wind Symphony; in Color + Light (Mark Custom, 2016), 1 min
Sample
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Andrew Trachsel; performed by Lucas Rego Borges, Ohio State University Wind Symphony; in Color + Light (Mark Custom, 2016), 1 min
Date Written / Recorded
1730
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Ohio State University Wind Symphony, Lucas Rego Borges
Contributor
Andrew Trachsel, Mark Morette
Author / Creator
Johann Sebastian Bach, 1685-1750, Ohio State University Wind Symphony, Lucas Rego Borges
Date Published / Released
2016
Publisher
Mark Custom
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Coro: Jachzet! Frohlocket!
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart and Gächinger Kantorei Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 2) (Hänssler Classic, 2016), 7 mins
Sample
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart and Gächinger Kantorei Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 2) (Hänssler Classic, 2016), 7 mins
Date Written / Recorded
1730
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart
Date Published / Released
2016
Publisher
Hänssler Classic
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Sinfonia (X)
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 1) (Hänssler Classic, 2016), 5 mins
Sample
composed by Johann Sebastian Bach, 1685-1750 (1730); conducted by Helmuth Rilling, 1933-; performed by Bach-Collegium Stuttgart; in Best of Johann Sebastian Bach: Suites, Concertos, Oratorios, Cantatas, Motets (CD 1) (Hänssler Classic, 2016), 5 mins
Date Written / Recorded
1730
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Bach-Collegium Stuttgart
Contributor
Helmuth Rilling, 1933-
Author / Creator
Johann Sebastian Bach, 1685-1750, Bach-Collegium Stuttgart
Date Published / Released
2016
Publisher
Hänssler Classic
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Davide penitente K. 469
directed by Andy Sommer; composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Marc Minkowski; choreographed by Clément 'Bartabas' Marty, 1957-; produced by Bernhard Fleischer, 1971-, ARTE, Bernhard Fleischer Moving Images and Österreichischer Rundfunk; performed by Christiane Karg, fl. 2015, Marianne Crebassa, fl. 2015 and Stanislas de Barbeyrac, Les Musiciens du Louvre, Versailles Academy of Equestrian Arts and Salzburger Bachchor, in Bartabas in Salzburg (Berlin, Berlin State: C Major Entertainment, 2015), 56 mins
For this spectacular production of Mozart's Davide penitente on the vast stage of the Salzburg Felsenreitschule at the Mozart Week 2015, Marc Minkowski and the equestrian choreographer Bartabas used dancing horses and thus restored the former riding school to its original function. Horses, riders from the Académi...
Sample
directed by Andy Sommer; composed by Wolfgang Amadeus Mozart, 1756-1791; conducted by Marc Minkowski; choreographed by Clément 'Bartabas' Marty, 1957-; produced by Bernhard Fleischer, 1971-, ARTE, Bernhard Fleischer Moving Images and Österreichischer Rundfunk; performed by Christiane Karg, fl. 2015, Marianne Crebassa, fl. 2015 and Stanislas de Barbeyrac, Les Musiciens du Louvre, Versailles Academy of Equestrian Arts and Salzburger Bachchor, in Bartabas in Salzburg (Berlin, Berlin State: C Major Entertainment, 2015), 56 mins
Description
For this spectacular production of Mozart's Davide penitente on the vast stage of the Salzburg Felsenreitschule at the Mozart Week 2015, Marc Minkowski and the equestrian choreographer Bartabas used dancing horses and thus restored the former riding school to its original function. Horses, riders from the Académie équestre de Versailles and Bartabas himself, whose successful productions are unique in the world of art, perform their elegant dres...
For this spectacular production of Mozart's Davide penitente on the vast stage of the Salzburg Felsenreitschule at the Mozart Week 2015, Marc Minkowski and the equestrian choreographer Bartabas used dancing horses and thus restored the former riding school to its original function. Horses, riders from the Académie équestre de Versailles and Bartabas himself, whose successful productions are unique in the world of art, perform their elegant dressage arabesques within this exceptional setting. Soloists, chorus and orchestra are ranged over three levels on galleries cut from the bare rock. The result is a unique synthesis of the arts.
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Date Written / Recorded
2015-01
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Les Musiciens du Louvre, Versailles Academy of Equestrian Arts, Salzburger Bachchor, Christiane Karg, fl. 2015, Marianne Crebassa, fl. 2015, Stanislas de Barbeyrac
Contributor
Clément 'Bartabas' Marty, 1957-, Marc Minkowski, Bernhard Fleischer, 1971-, ARTE, Bernhard Fleischer Moving Images, Österreichischer Rundfunk
Author / Creator
Clément 'Bartabas' Marty, 1957-, Wolfgang Amadeus Mozart, 1756-1791, Andy Sommer, Les Musiciens du Louvre, Versailles Academy of Equestrian Arts, Salzburger Bachchor, Christiane Karg, fl. 2015, Marianne Crebassa, fl. 2015, Stanislas de Barbeyrac
Date Published / Released
2015
Publisher
C Major Entertainment
Copyright Message
Copyright © 2015 by C Major Entertainment
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Christus am Ölberge
composed by Ludwig van Beethoven, 1770-1827; conducted by Helmuth Rilling, 1933-; produced by Richard Hauck; performed by Maria Venuti, Keith Lewis, fl. 1996 and Michel Brodard, 1946-, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart (Hänssler Classic, 2014), 54 mins
Sample
composed by Ludwig van Beethoven, 1770-1827; conducted by Helmuth Rilling, 1933-; produced by Richard Hauck; performed by Maria Venuti, Keith Lewis, fl. 1996 and Michel Brodard, 1946-, Gächinger Kantorei Stuttgart and Bach-Collegium Stuttgart (Hänssler Classic, 2014), 54 mins
Date Written / Recorded
1994-02
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Maria Venuti, Keith Lewis, fl. 1996, Michel Brodard, 1946-
Contributor
Helmuth Rilling, 1933-, Teije van Geest, fl. 1970, Richard Hauck
Author / Creator
Ludwig van Beethoven, 1770-1827, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Maria Venuti, Keith Lewis, fl. 1996, Michel Brodard, 1946-
Date Published / Released
2014
Publisher
Hänssler Classic
Copyright Message
Copyright © 2014 by Hänssler Classic
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