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Garland Encyclopedia of World Music Volume 8 - EuropePart 3: Music Cultures of EuropeIreland
written by Hugh Shields and Paulette Gershen; edited by Timothy Rice, fl. 1981, James Porter, fl. 1969 and Chris Goertzen (Routledge (Publisher), 2000), 21 page(s)
Sample
written by Hugh Shields and Paulette Gershen; edited by Timothy Rice, fl. 1981, James Porter, fl. 1969 and Chris Goertzen (Routledge (Publisher), 2000), 21 page(s)
Field of Study
World Music
Content Type
General reference book, Compendium
Contributor
Timothy Rice, fl. 1981, James Porter, fl. 1969, Chris Goertzen
Author / Creator
Hugh Shields, Paulette Gershen
Date Published / Released
2000
Publisher
Routledge (Publisher)
Person Discussed
Benny Goodman, 1909-1986, Cole Porter, 1891-1964, Shaun Davey, 1948-, John Field, 1782-1837, Fryderyk Franciszek Chopin, 1810-1849, Tommy Makem, 1932-2007, Hugh Shields, Walter Feldman, Sinéad O'Connor, 1966-, John Blacking, 1928-1990, James Macpherson, 1736-1796, John McCormack, 1884-1945, Seán Ó Riada, 1931-1971
Topic / Theme
African American, Scottish, American, French, German, Greek, Irish, European, Viking, Christmas, Christianity, Catholicism, Protestantism, Turret Mountain Attack, Arizona, March 27, 1873, Accordion, Piano, Bagpipes, Banjo, Spoons, Drum, Drum, frame, Violin, Fife, Concertina, Guitar, Harp, Lute-Harpsichord, Bouzouki, Lyre, Mandolin, Mouth harp, Organ, Mouth, Keyboard, Piano, Pipe, Reed, Saxophone,...
African American, Scottish, American, French, German, Greek, Irish, European, Viking, Christmas, Christianity, Catholicism, Protestantism, Turret Mountain Attack, Arizona, March 27, 1873, Accordion, Piano, Bagpipes, Banjo, Spoons, Drum, Drum, frame, Violin, Fife, Concertina, Guitar, Harp, Lute-Harpsichord, Bouzouki, Lyre, Mandolin, Mouth harp, Organ, Mouth, Keyboard, Piano, Pipe, Reed, Saxophone, Trumpet, Fiddle, Voice, Leaf, Whistle, Melodeon
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Spirit of Dance, Irish Step Dancing
directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 1 hour
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step da...
Sample
directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 1 hour
Description
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step dancing and ceili dancing; steps in the training of an Irish step dancer; competitions at different levels; and the typical age range of...
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step dancing and ceili dancing; steps in the training of an Irish step dancer; competitions at different levels; and the typical age range of dancers. Her student Erin Blake discusses her own experiences of training, exhibitions and competitions. She and other students of Haley are seen on video, performing at an Irish restaurant in Quincy, Mass. Maureen Britell describes the specialized costumes, shoes and socks worn by Irish step dancers. Displaying some costumes, she discusses their construction and decoration, changes in style and palette, and the price range for such costumes. Video footage shows three students of Maura Nevin performing in costumes made by Britell's firm.
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Field of Study
Dance
Content Type
Interview
Performer / Ensemble
Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell, Erin Blake Connolly, 1980-
Contributor
Ken Glazebrook, fl. 1970, Norah Dale Allen, fl. 1975
Author / Creator
Suzanne Reid, fl. 1996, Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell, Erin Blake Connolly, 1980-
Date Published / Released
1996
Publisher
Spirit of Dance
Series
Spirit of Dance
Person Discussed
Maureen Haley, fl. 1974, Maureen Britell, Erin Blake Connolly, 1980-
Topic / Theme
Céilí, Stepping, Dance
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Spirit of Dance, Irish Step Dance Excerpts
directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 33 mins
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step da...
Sample
directed by Suzanne Reid, fl. 1996; produced by Ken Glazebrook, fl. 1970 and Norah Dale Allen, fl. 1975; interview by Norah Dale Allen, fl. 1975; performed by Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell and Erin Blake Connolly, 1980-, in Spirit of Dance (Spirit of Dance, 1996), 33 mins
Description
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step dancing and ceili dancing; steps in the training of an Irish step dancer; competitions at different levels; and the typical age range of...
Discussion of Irish step dancing as seen from the viewpoints of a teacher, dancer and costume supplier. Maureen Haley describes the examinations a prospective teacher must undergo in order to be registered by the Irish Dancing Teachers Association of Dublin; she also discusses the differences between Irish step dancing and ceili dancing; steps in the training of an Irish step dancer; competitions at different levels; and the typical age range of dancers. Her student Erin Blake discusses her own experiences of training, exhibitions and competitions. She and other students of Haley are seen on video, performing at an Irish restaurant in Quincy, Mass. Maureen Britell describes the specialized costumes, shoes and socks worn by Irish step dancers. Displaying some costumes, she discusses their construction and decoration, changes in style and palette, and the price range for such costumes. Video footage shows three students of Maura Nevin performing in costumes made by Britell's firm.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell, Erin Blake Connolly, 1980-
Contributor
Ken Glazebrook, fl. 1970, Norah Dale Allen, fl. 1975
Author / Creator
Suzanne Reid, fl. 1996, Norah Dale Allen, fl. 1975, Maureen Haley, fl. 1974, Maureen Britell, Erin Blake Connolly, 1980-
Date Published / Released
1996
Publisher
Spirit of Dance
Series
Spirit of Dance
Person Discussed
Maureen Haley, fl. 1974, Maureen Britell, Erin Blake Connolly, 1980-
Topic / Theme
Céilí, Stepping, Dance
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