19 results for your search

The Letter: A Depression Message from a Hobo Friend
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composed by Harry Partch, 1901-1976 (1943) (Schott Music GmbH & Co. KG, Mainz, 2018), 16 page(s)
composed by Harry Partch, 1901-1976 (1943) (Schott Music GmbH & Co. KG, Mainz, 2018), 16 page(s)
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Handel: Alexander's Feast
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composed by George Frideric Handel, 1685-1759; conducted by Rolf Beck; performed by Aneta Mihályová, Jana Mamonova, Chiyuki Okamura, Lucia Duchonová, Karolina Sikora, Benjamin Bruns and Wiard Witholt, Schleswig-Holstein Festival Orchester and Schleswig-Holstein Festival Chor (Hänssler Classic, 2009), 1 hour 32 mins
composed by George Frideric Handel, 1685-1759; conducted by Rolf Beck; performed by Aneta Mihályová, Jana Mamonova, Chiyuki Okamura, Lucia Duchonová, Karolina Sikora, Benjamin Bruns and Wiard Witholt, Schleswig-Holstein Festival Orchester and Schleswig-Holstein Festival Chor (Hänssler Classic, 2009), 1 hour 32 mins
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Mitridate, Re Di Ponto
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directed by Graham Vick, 1953-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1770); conducted by Paul Daniel; choreographed by Ron Howell; designed by Paul Brown, fl. 1992, Paul Brown, fl. 1992, Nick Chelton; produced by Hans Petri, fl. 1996-2017; performed by Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle and Justin Lavender, Orchestra of the Royal Opera House, Covent Garden, in Mitridate, Re di Ponto (London, England: Opus Arte, 2008), 2 hours 56 mins
Mozart's fourth opera -- written when he was only 14 -- displays all the hallmarks of the fresh, inventive writing that was to flourish into extraordinary genius in his later works and, with a cast as good as this, The Royal Opera's production takes Mitridate, re di Ponto to the highest levels of operatic achievem...
directed by Graham Vick, 1953-; composed by Wolfgang Amadeus Mozart, 1756-1791 (1770); conducted by Paul Daniel; choreographed by Ron Howell; designed by Paul Brown, fl. 1992, Paul Brown, fl. 1992, Nick Chelton; produced by Hans Petri, fl. 1996-2017; performed by Bruce Ford, Ann Murray, 1949-, Jochen Kowalski, 1954-, Luba Orgonasova, Lillian Watson, Jacquelyn Fugelle and Justin Lavender, Orchestra of the Royal Opera House, Covent Garden, in Mitridate, Re di Ponto (London, England: Opus Arte, 2008), 2 hours 56 mins
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Il Combattimento di Tancredi e Clorinda
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directed by Pierre Audi; composed by Claudio Monteverdi, 1567-1643 (1624); conducted by David Porcelijn; choreographed by Ger Visser; designed by Chloe Obolensky, Gerry van Puymbrouck and Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Lorna Anderson, Maarten Koningsberger and Guy de Mey, ASKO Ensemble of Amsterdam, in Il Combattimento di Tancredi e Clorinda (Opus Arte, 2007), 24 mins
This is a performance of Monteverdi's Il Combattimento di Tancredi e Clorinda, performed by Lorna Anderson, Maarten Koningsberger, and Guy de Mey, and conducted by David Porcelijn.
directed by Pierre Audi; composed by Claudio Monteverdi, 1567-1643 (1624); conducted by David Porcelijn; choreographed by Ger Visser; designed by Chloe Obolensky, Gerry van Puymbrouck and Jean Kalman, fl. 1979; produced by Hans Petri, fl. 1996-2017; performed by Lorna Anderson, Maarten Koningsberger and Guy de Mey, ASKO Ensemble of Amsterdam, in Il Combattimento di Tancredi e Clorinda (Opus Arte, 2007), 24 mins
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Il Barbiere di Siviglia
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directed by Emilio Sagi; composed by Gioachino Rossini, 1792-1868 (1816); conducted by Gianluigi Gelmetti; designed by Llorenç Corbella, Renata Schussheim, Eduardo Bravo; produced by Hans Petri, fl. 1996-2017; performed by Juan Diego Flórez, Bruno Pratico, María Bayo, Pietro Spagnoli, Ruggero Raimondi, Marco Moncloa, Susana Cordón, Enrique Sánchez Ramos and Antonio Ortega, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid) and Coro de la Comunidad de Madrid, in Il Barbiere di Siviglia (Opus Arte, 2005), 4 hours 2 mins
This is a performance of Il Barbiere di Siviglia, performed by Coro de la Comunidad de Madrid and Madrid Symphony Orchestra (Orquesta Sinfonica de Madrid), and conducted by Gianluigi Gelmetti.
directed by Emilio Sagi; composed by Gioachino Rossini, 1792-1868 (1816); conducted by Gianluigi Gelmetti; designed by Llorenç Corbella, Renata Schussheim, Eduardo Bravo; produced by Hans Petri, fl. 1996-2017; performed by Juan Diego Flórez, Bruno Pratico, María Bayo, Pietro Spagnoli, Ruggero Raimondi, Marco Moncloa, Susana Cordón, Enrique Sánchez Ramos and Antonio Ortega, Madrid Symphony Orchestra (Orquesta Sinfónica de Madrid) and Coro de la Comunidad de Madrid, in Il Barbiere di Siviglia (Opus Arte, 2005), 4 hours 2 mins
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L'Orfeo
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directed by Gilbert Deflo; composed by Claudio Monteverdi, 1567-1643 (1606); conducted by Jordi Savall; choreographed by Anna Casas; designed by William Orlandi, Albert Faura; produced by Dan Ruttley; performed by Montserrat Figueras, Furio Zanasi, Arianna Savall, Sara Mingardo, Cécile van de Sant, Antonio Abete, Adriana Fernández, Daniele Carnovich, Fulvio Bettini and Mercedes Hernández, La Capella Reial de Catalunya and Le Concert des Nations, in L'Orfeo (Opus Arte, 2002), 2 hours 19 mins
This is a performance of L'Orfeo, performed by Le Concert des Nations and La Capella Reial de Catalunya, and conducted by Jordi Savall.
directed by Gilbert Deflo; composed by Claudio Monteverdi, 1567-1643 (1606); conducted by Jordi Savall; choreographed by Anna Casas; designed by William Orlandi, Albert Faura; produced by Dan Ruttley; performed by Montserrat Figueras, Furio Zanasi, Arianna Savall, Sara Mingardo, Cécile van de Sant, Antonio Abete, Adriana Fernández, Daniele Carnovich, Fulvio Bettini and Mercedes Hernández, La Capella Reial de Catalunya and Le Concert des Nations, in L'Orfeo (Opus Arte, 2002), 2 hours 19 mins
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Messiah
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composed by George Frideric Handel, 1685-1759; conducted by Helmuth Rilling, 1933-; performed by James Taylor, 1948-, Thomas Quasthoff, 1959-, Ingeborg Danz, 1961- and Sibylla Rubens, fl. 1990, Oregon Bach Festival Orchestra and Oregon Bach Festival Chorus (Hänssler Classic, 1997), 2 hours 20 mins
composed by George Frideric Handel, 1685-1759; conducted by Helmuth Rilling, 1933-; performed by James Taylor, 1948-, Thomas Quasthoff, 1959-, Ingeborg Danz, 1961- and Sibylla Rubens, fl. 1990, Oregon Bach Festival Orchestra and Oregon Bach Festival Chorus (Hänssler Classic, 1997), 2 hours 20 mins
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Messiah Highlights
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composed by George Frideric Handel, 1685-1759; conducted by Martin Neary; produced by John Boyden; performed by William Kendall, Thomas Drew, Margaret Cable, Patrizia Kwella, Richard Jackson and Stephen Keary, London Handel Orchestra and Winchester Cathedral Choir (Quicksilva, 1990), 1 hour 21 mins
composed by George Frideric Handel, 1685-1759; conducted by Martin Neary; produced by John Boyden; performed by William Kendall, Thomas Drew, Margaret Cable, Patrizia Kwella, Richard Jackson and Stephen Keary, London Handel Orchestra and Winchester Cathedral Choir (Quicksilva, 1990), 1 hour 21 mins
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Joseph
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edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1743) (Chrysander at Bergdorf-bei-Hamburg, 1902), 258 page(s)
edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1743) (Chrysander at Bergdorf-bei-Hamburg, 1902), 258 page(s)
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L'Allegro, Il Pensieroso, ed il Moderato
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edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1740) (Breitkopf and Härtel, 1902), 180 page(s)
edited by Friedrich Chrysander, 1826-1901; composed by George Frideric Handel, 1685-1759 (1740) (Breitkopf and Härtel, 1902), 180 page(s)
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