62 results for your search
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The Call of Rome
conducted by Harry Christophers, 1953-; performed by The Sixteen (Coro, 2020), 1 hour 13 mins, 15 page(s)
Sample
conducted by Harry Christophers, 1953-; performed by The Sixteen (Coro, 2020), 1 hour 13 mins, 15 page(s)
Date Written / Recorded
2019
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen
Contributor
Harry Christophers, 1953-
Author / Creator
The Sixteen
Date Published / Released
2020
Publisher
Coro
Copyright Message
Copyright © 2017 CORO
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Litaniæ Lauretanæ
edited by Cees Wagemakers, 1944-; composed by Frantisek Ignác Antonín Tůma, 1704-1774 (1766) (Rijswijk, South Holland: Donemus, 2016), 54 page(s)
Sample
edited by Cees Wagemakers, 1944-; composed by Frantisek Ignác Antonín Tůma, 1704-1774 (1766) (Rijswijk, South Holland: Donemus, 2016), 54 page(s)
Date Written / Recorded
1766
Field of Study
Classical Music
Content Type
Score
Contributor
Cees Wagemakers, 1944-
Author / Creator
Frantisek Ignác Antonín Tůma, 1704-1774
Date Published / Released
2016
Publisher
Donemus
Copyright Message
Copyright © 2022 by Stichting Donemus Beheer
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Conductus funebris; Litaniae de Providentia Divina; Missa Rorate caeli
conducted by Eamonn Dougan; produced by Raphael Mouterde, 1974-; performed by The Sixteen (Coro, 2015), 1 hour 8 mins
Sample
conducted by Eamonn Dougan; produced by Raphael Mouterde, 1974-; performed by The Sixteen (Coro, 2015), 1 hour 8 mins
Date Written / Recorded
2014-11
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen
Contributor
Eamonn Dougan, Mike Hatch, Raphael Mouterde, 1974-
Author / Creator
The Sixteen
Date Published / Released
2015-04-14
Publisher
Coro
Copyright Message
Copyright © 2015 by Coro
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Sacred Music
composed by Jan Dismas Zelenka, 1679-1745; conducted by Robert King, 1960-; performed by Choir of The King's Consort (Hyperion, 2012), 1 hour 13 mins
Sample
composed by Jan Dismas Zelenka, 1679-1745; conducted by Robert King, 1960-; performed by Choir of The King's Consort (Hyperion, 2012), 1 hour 13 mins
Date Written / Recorded
2002-03
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Choir of The King's Consort
Contributor
Robert King, 1960-
Author / Creator
Jan Dismas Zelenka, 1679-1745, Choir of The King's Consort
Date Published / Released
2012
Publisher
Hyperion
Copyright Message
Copyright 2012 by Hyperion
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Hail, Mother of the Redeemer
composed by Tomás Luis de Victoria, 1548-1611; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen (Coro, 2011), 1 hour 13 mins
Sample
composed by Tomás Luis de Victoria, 1548-1611; conducted by Harry Christophers, 1953-; produced by Mark Brown, 1962-; performed by The Sixteen (Coro, 2011), 1 hour 13 mins
Date Written / Recorded
2010-10
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
The Sixteen
Contributor
Harry Christophers, 1953-, Mark Brown, 1962-
Author / Creator
Tomás Luis de Victoria, 1548-1611, The Sixteen
Date Published / Released
2011
Publisher
Coro
Copyright Message
Copyright © 2011 by The Sixteen Productions Ltd.
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Musica Sacra - Buddhist & Gregorian Chants
conducted by David Eben; performed by Gjosan-rju Tendai Somo, Schola Gregoriana Pragensis and Buddhist Tendai Monks (K&K Verlagsanstalt, 2009), 1 hour 13 mins
Sample
conducted by David Eben; performed by Gjosan-rju Tendai Somo, Schola Gregoriana Pragensis and Buddhist Tendai Monks (K&K Verlagsanstalt, 2009), 1 hour 13 mins
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Gjosan-rju Tendai Somo, Schola Gregoriana Pragensis, Buddhist Tendai Monks
Contributor
David Eben, Andreas Otto Grimminger
Author / Creator
Gjosan-rju Tendai Somo, Schola Gregoriana Pragensis, Buddhist Tendai Monks
Date Published / Released
2009
Publisher
K&K Verlagsanstalt
Copyright Message
2009 Josef-Stefan Kindler, Andreas Otto Grimminger
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Liturgy of St. John Chrysostom No.4
composed by Aleksandr Tikhonovich Grechaninov, 1864-1956; conducted by Ludmila Arshavskaya; performed by Cantus Sacred Music Ensemble (Musical Concepts, 2009), 1 hour 1 mins
Sample
composed by Aleksandr Tikhonovich Grechaninov, 1864-1956; conducted by Ludmila Arshavskaya; performed by Cantus Sacred Music Ensemble (Musical Concepts, 2009), 1 hour 1 mins
Date Written / Recorded
1994
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cantus Sacred Music Ensemble
Contributor
Ludmila Arshavskaya, Vyacheslav Bednov, fl. 1993-2013
Author / Creator
Aleksandr Tikhonovich Grechaninov, 1864-1956, Cantus Sacred Music Ensemble
Date Published / Released
2009
Publisher
Musical Concepts
Copyright Message
Copyright 2012 by Musical Concepts
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The Salzburg Mozart: Mozart's Salzburg Choral Masterpieces
conducted by Johannes Somary; performed by Cynthia Richards Wallace, Megan Friar, Michael Steinberger and Richard Holmes, Amor Artis Chorale and Musica Antiqua Sankt Petersburg, in Lyrichord early music series (Lyrichord, 2007), 1 hour 6 mins
The vital statistics on this recording of the young Mozart's choral music are a little odd -- an American choir, joining what's claimed to be a Russian period-instrument orchestra (the brasses do not sound like those of Mozart's day)...where? No recording date or location are given. Wherever it was, it allowed for...
Sample
conducted by Johannes Somary; performed by Cynthia Richards Wallace, Megan Friar, Michael Steinberger and Richard Holmes, Amor Artis Chorale and Musica Antiqua Sankt Petersburg, in Lyrichord early music series (Lyrichord, 2007), 1 hour 6 mins
Description
The vital statistics on this recording of the young Mozart's choral music are a little odd -- an American choir, joining what's claimed to be a Russian period-instrument orchestra (the brasses do not sound like those of Mozart's day)...where? No recording date or location are given. Wherever it was, it allowed for a nicely transparent look into some of the smaller details of these works, which are all about charming small details. The Coronation...
The vital statistics on this recording of the young Mozart's choral music are a little odd -- an American choir, joining what's claimed to be a Russian period-instrument orchestra (the brasses do not sound like those of Mozart's day)...where? No recording date or location are given. Wherever it was, it allowed for a nicely transparent look into some of the smaller details of these works, which are all about charming small details. The Coronation Mass, K. 317, with its trumpets, organ, and timpani on top of an orchestra, is sometimes treated as a forerunner to the big masses of Mozart's later life, but in its limpid melodies and seductive solos it's more a throwback to the cotton candy of Mozart's Parisian adventure. Conductor Johannes Somary brings out the lightly bouncing setting of the word "Kyrie" at the beginning, and he gives himself room to build from a neutral beginning to a big conclusion in the Gloria and the Credo. His handling of the last sections of the Credo in particular, as Mozart sets the wordier stretches of the Nicene Creed with a group of large harmonic moves that, when done right as it is here, gather a lot of force and explode in a coda where Mozart exuberantly repeats the opening words "Credo in unum deum" (which might be read several ways, giving his Masonic leanings). The durable AmorArtis choir is large for a so-called chamber choir, with perhaps 40 members, but it is beautifully controlled, intonationally secure, and able to make the text clear even while hanging back in the shadows. The smaller works on the program are equally well done. The rarely heard Litaniae Lauretanem, K. 109, composed just after Mozart's 15th birthday, is a very teenaged work, striving for shocking effects (hear the harmonic progressions in the opening Kyrie, for example); good recordings of this piece are not common. The Missa Brevis, K. 220, also benefits from transparent textures that allow one to hear the little violin figures that inspired the alternative "Sparrow Mass" title for this work. The presence of two late Mozart choral masterpieces, the Ave Verum Corpus, K. 618, and the less familiar but equally lovely Ave Maria, K. 555, may seem odd on a program devoted to Mozart's Salzburg career, but they don't distract: they appear as an intermission and an encore, respectively. These are standout Mozart choral recordings that achieve the rare trio of vigor, transparency, and idiomatic grace. ~ James Manheim, All Music Guide
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Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Amor Artis Chorale, Musica Antiqua Sankt Petersburg, Cynthia Richards Wallace, Megan Friar, Michael Steinberger, Richard Holmes
Contributor
Johannes Somary
Author / Creator
Amor Artis Chorale, Musica Antiqua Sankt Petersburg, Cynthia Richards Wallace, Megan Friar, Michael Steinberger, Richard Holmes
Date Published / Released
2007
Publisher
Lyrichord
Series
Lyrichord early music series
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Canti nel Chiostro: Musiche nei monasteri femminili del '600 a Bologna
performed by Cappella Artemisia (Tactus, 2005), 1 hour 5 mins
Sample
performed by Cappella Artemisia (Tactus, 2005), 1 hour 5 mins
Date Written / Recorded
1994-03
Field of Study
Classical Music
Content Type
Music recording
Performer / Ensemble
Cappella Artemisia
Author / Creator
Cappella Artemisia
Date Published / Released
2005
Publisher
Tactus
Copyright Message
Copyright © 2005 by Tactus
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Liturgie des Vieux-Croyants de Russie
produced by Pierre Toureille; performed by Piotr Vasiliev, fl. 2003, Igor Lioubimov, fl. 2003, Leonid Oustinov, fl. 2003 and Valeri Vitouchkine, fl. 2003, Vocal Ensemble of the Old-Believers of Moscow (Buda Musique, 2003), 1 hour 10 mins
Sample
produced by Pierre Toureille; performed by Piotr Vasiliev, fl. 2003, Igor Lioubimov, fl. 2003, Leonid Oustinov, fl. 2003 and Valeri Vitouchkine, fl. 2003, Vocal Ensemble of the Old-Believers of Moscow (Buda Musique, 2003), 1 hour 10 mins
Field of Study
World Music
Content Type
Music recording
Performer / Ensemble
Vocal Ensemble of the Old-Believers of Moscow, Piotr Vasiliev, fl. 2003, Igor Lioubimov, fl. 2003, Leonid Oustinov, fl. 2003, Valeri Vitouchkine, fl. 2003
Contributor
Philippe Pèlissier, Pierre Toureille
Author / Creator
Vocal Ensemble of the Old-Believers of Moscow, Piotr Vasiliev, fl. 2003, Igor Lioubimov, fl. 2003, Leonid Oustinov, fl. 2003, Valeri Vitouchkine, fl. 2003
Date Published / Released
2003-10-20
Publisher
Buda Musique
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