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Africa Dreaming, Sabriya
directed by Abderrahmane Sissako, 1961-; produced by Dora Fourati, fl. 1994, Nomadis Images, in Africa Dreaming (San Francisco, CA: California Newsreel, 1997), 25 mins
This film explores the impact of the modern world on the traditional male society of the Maghreb. It is a film about men who prefer to live life as an abstract game and the free-spirited woman who changes everything. Said and Youssef have fulfilled a life-long dream by opening a "chess bar" in the middle of the de...
Sample
directed by Abderrahmane Sissako, 1961-; produced by Dora Fourati, fl. 1994, Nomadis Images, in Africa Dreaming (San Francisco, CA: California Newsreel, 1997), 25 mins
Description
This film explores the impact of the modern world on the traditional male society of the Maghreb. It is a film about men who prefer to live life as an abstract game and the free-spirited woman who changes everything. Said and Youssef have fulfilled a life-long dream by opening a "chess bar" in the middle of the desert. They sit around drinking palm wine, playing board games and composing love poetry to imaginary women. All this changes with the a...
This film explores the impact of the modern world on the traditional male society of the Maghreb. It is a film about men who prefer to live life as an abstract game and the free-spirited woman who changes everything. Said and Youssef have fulfilled a life-long dream by opening a "chess bar" in the middle of the desert. They sit around drinking palm wine, playing board games and composing love poetry to imaginary women. All this changes with the arrival of Sarah, a sexually liberated, uninhibited métisse who easily lures Youssef into an affair. Soon he is dreaming not about chess but about opening a coffee bar in Genoa. The friendship is destroyed, the bar sold. Youssef, dressed in Western clothes, waits to leave with Sarah; will she show up? Said boards a train and sits down next to a Westernized woman bearing a resemblance to Sarah...
Sabriya was written by Abderrahmane Sissako as part of the Africa Dreaming project.
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Field of Study
Film
Content Type
Performance
Contributor
Dora Fourati, fl. 1994, Nomadis Images
Author / Creator
Abderrahmane Sissako, 1961-
Date Published / Released
1997
Publisher
California Newsreel
Series
Africa Dreaming
Topic / Theme
Ambition, Romantic relationships
Copyright Message
Copyright © 1997 California Newsreel
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Africa Dreaming, The Gaze of the Stars
directed by João Ribeiro, 1962-; produced by Pedro Pimenta, fl. 1991, Ebano Multimedia, in Africa Dreaming (San Francisco, CA: California Newsreel, 1997), 26 mins
At the center of this story is a woman felt only by her absence - in other words, a dream of a woman, perhaps symbolic of the lost dream for a post-independence Mozambique. Salomão owns a bar in Maputo, still down at the heels after the civil war, where the local machos drink and talk of soccer and women. He rath...
Sample
directed by João Ribeiro, 1962-; produced by Pedro Pimenta, fl. 1991, Ebano Multimedia, in Africa Dreaming (San Francisco, CA: California Newsreel, 1997), 26 mins
Description
At the center of this story is a woman felt only by her absence - in other words, a dream of a woman, perhaps symbolic of the lost dream for a post-independence Mozambique. Salomão owns a bar in Maputo, still down at the heels after the civil war, where the local machos drink and talk of soccer and women. He rather gruffly takes care of his adopted nephew Betinho, a war orphan. Some years before, a young woman, Julia, left him because he refused...
At the center of this story is a woman felt only by her absence - in other words, a dream of a woman, perhaps symbolic of the lost dream for a post-independence Mozambique. Salomão owns a bar in Maputo, still down at the heels after the civil war, where the local machos drink and talk of soccer and women. He rather gruffly takes care of his adopted nephew Betinho, a war orphan. Some years before, a young woman, Julia, left him because he refused to let her work or study outside the house. Instead, she married Saide, the man next door. Nothing has been heard of her for months, but the sound of constant wife-beating comes from inside Saide's house. When Salomão finally decides to put a stop to the beatings, he discovers that Julia left Saide long ago because he blamed her for his own sterility. The mock beatings were Saide's pathetic way of convincing the world he still had a wife. In this wry but pessimistic film, the men sense their machismo has driven away what they most desire but lack the strength to change. Salomão explains to Betinho that they are like the stars, cursed to look for their lost dream forever.
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Field of Study
Film
Content Type
Performance
Contributor
Pedro Pimenta, fl. 1991, Ebano Multimedia
Author / Creator
João Ribeiro, 1962-
Date Published / Released
1997
Publisher
California Newsreel
Series
Africa Dreaming
Topic / Theme
Spousal abuse, Broken relationships, Domestic matters, Marital relations, Mozambicans
Copyright Message
Copyright © 1997 California Newsreel
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Ainsi Meurent les Anges
directed by Moussa Sene Absa, 1958-; produced by MSA Productions (California Newsreel, 2001), 58 mins
Moussa Sene Absa's latest work pushes the formal boundaries of African cinema to explore the complex interplay of history and psychology in contemporary Africa. Intensely personal and at the same time deeply political, Ainsi meurent les anges combines the elegiac lyricism of his Ça twiste à Poponguine with the...
Sample
directed by Moussa Sene Absa, 1958-; produced by MSA Productions (California Newsreel, 2001), 58 mins
Description
Moussa Sene Absa's latest work pushes the formal boundaries of African cinema to explore the complex interplay of history and psychology in contemporary Africa. Intensely personal and at the same time deeply political, Ainsi meurent les anges combines the elegiac lyricism of his Ça twiste à Poponguine with the acerbic social critique of Tableau Ferraille. What is perhaps most surprising is that this creative freedom was won precisely by wor...
Moussa Sene Absa's latest work pushes the formal boundaries of African cinema to explore the complex interplay of history and psychology in contemporary Africa. Intensely personal and at the same time deeply political, Ainsi meurent les anges combines the elegiac lyricism of his Ça twiste à Poponguine with the acerbic social critique of Tableau Ferraille. What is perhaps most surprising is that this creative freedom was won precisely by working within the constraints of new low-budget video technology. Appearing the same year as Karmen Geï and Faat Kine, it attests to the continuing vitality of Senegalese filmmaking as it propels African cinema in boldly innovative directions.
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Field of Study
Film
Content Type
Performance
Contributor
MSA Productions
Author / Creator
Moussa Sene Absa, 1958-
Date Published / Released
2001
Publisher
California Newsreel
Topic / Theme
Poets, Parent-child relations, Fathers, Social customs, Marriages, Senegalese
Copyright Message
Copyright © 2001 California Newsreel
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Allah Tantou
directed by David Achkar, 1960-1998 (California Newsreel, 1991), 1 hour
Allah Tantou is the first African film to confront the immense personal and political costs of the widespread human rights abuses on the continent. It follows filmmaker David Achkar's search for his father, his father's search for himself inside a Guinean prison and Africa's search for a new beginning amid the dis...
Sample
directed by David Achkar, 1960-1998 (California Newsreel, 1991), 1 hour
Description
Allah Tantou is the first African film to confront the immense personal and political costs of the widespread human rights abuses on the continent. It follows filmmaker David Achkar's search for his father, his father's search for himself inside a Guinean prison and Africa's search for a new beginning amid the disillusionment of the post-independence era. One of the most courageous and controversial films of recent years, Allah Tantou speaks in a...
Allah Tantou is the first African film to confront the immense personal and political costs of the widespread human rights abuses on the continent. It follows filmmaker David Achkar's search for his father, his father's search for himself inside a Guinean prison and Africa's search for a new beginning amid the disillusionment of the post-independence era. One of the most courageous and controversial films of recent years, Allah Tantou speaks in an unabashedly personal voice not often heard in African cinema. The life of Marof Achkar, David's father, can be seen as emblematic of much recent African history. In 1958, his countryman, Sekou Touri, declared Guinea the first independent French African colony and became a hero of Pan-Africanism. Marof Achkar, a leading figure in the Ballets Africains, served as U.N. ambassador for the new government. In 1968, Achkar was suddenly recalled, charged with treason and vanished into the notorious Camp Boiro prison. His family was exiled and, only after Touri's death in 1984, did they learn of Achkar's execution in 1971. David Achkar writes, "I knew my father was a hero, but I wanted to know what that meant." The Marof Achkar we first encounter in home movies and newsreels is a charismatic, confident performer on the world stage. The Marof Achkar glimpsed later through letters and a remarkable prison diary is a man bereft of position, identity and family; he is now simply "Number 54." But in prison, he undergoes an almost religious conversion. "It's strange," he wrote, "I've never felt so humble, insignificant and yet it is the deepest reason of my happiness: I believe it's the grace of God." In a cinematic tradition which has privileged the calm collective voice of the griot, Allah Tantou speaks with the fragmented, uncertain rhythms of the individual conscience. Achkar juxtaposes diverse, sometimes contradictory texts - documentary, newsreel, dramatizations, photos, journals - to deny us a single, authoritative narrative space. Allah Tantou argues through its example that vigorous debate, candor and self-criticism are the pre-conditions for Africa's political and spiritual renewal.
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Field of Study
Black Studies
Content Type
Documentary
Author / Creator
David Achkar, 1960-1998
Date Published / Released
1991
Publisher
California Newsreel
Speaker / Narrator
David Achkar, 1960-1998
Person Discussed
David Achkar, 1960-1998, Marof Achkar, 1930-1971
Topic / Theme
Political prisoners, Executions, Human rights, Life histories, Diplomats, Africans, Guineans
Copyright Message
Copyright © 1991 California Newsreel
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Anne Braden: Southern Patriot
directed by Mimi Pickering, fl. 1975-2012 and Anne Lewis, fl. 1986-2012 (San Francisco, CA: California Newsreel, 2012), 1 hour 17 mins
Anne Braden: Southern Patriot provides a moving, in-depth biography of an organizer and journalist who for a remarkable 60 years participated in the most significant movements for racial and economic justice in this country’s most conservative region - the South. Rev. Dr. Martin Luther King, Jr. praised her stea...
Sample
directed by Mimi Pickering, fl. 1975-2012 and Anne Lewis, fl. 1986-2012 (San Francisco, CA: California Newsreel, 2012), 1 hour 17 mins
Description
Anne Braden: Southern Patriot provides a moving, in-depth biography of an organizer and journalist who for a remarkable 60 years participated in the most significant movements for racial and economic justice in this country’s most conservative region - the South. Rev. Dr. Martin Luther King, Jr. praised her steadfast activism in support of civil rights and civil liberties, but she was threatened, attacked, indicted and labeled a 'Communist agit...
Anne Braden: Southern Patriot provides a moving, in-depth biography of an organizer and journalist who for a remarkable 60 years participated in the most significant movements for racial and economic justice in this country’s most conservative region - the South. Rev. Dr. Martin Luther King, Jr. praised her steadfast activism in support of civil rights and civil liberties, but she was threatened, attacked, indicted and labeled a 'Communist agitator' and 'race traitor' by white supremacists. Her conservative background gave her special insight into white racism, why it poses such a great obstacle to social change in this country and what progressive white people can do to end it. Braden’s work as a journalist in Alabama and Kentucky in the late 1940’s along with her husband, Carl's, activities with unions and the small yet energetic left-wing community in the South, made her sensitive to the social inequalities all around her. In 1951, Braden joined a delegation of white women who traveled to Mississippi to prevent the execution of Willie McGee, a black man falsely accused of raping a white woman. Her experience in that case and others led her to write 'A Letter to White Southern Women' a groundbreaking – and controversial - statement on the intersection of race and gender. The 1954 landmark Brown v. Board of Education Supreme Court decision ignited a fierce backlash and mob hysteria among Southern segregationists. That same year, the Bradens purchased a house in a 'white' neighborhood in suburban Louisville on behalf of an African American couple. Racists bombed the house and the Bradens along with other supporters were charged with being responsible and indicted for fomenting discord among the races! Carl Braden was convicted and sentenced to 15 years but, the Supreme Court nullified state sedition laws. The Bradens waged a successful campaign to have all the indictments thrown out. Undaunted, the Bradens joined the staff of the Southern Conference Educational Fund (SCEF). Anne edited their publication, The Southern Patriot, which became known as the most reliable, up-to-date source on the unfolding Civil Rights struggle. In the late 1960's, the Bradens and SCEF answered the call by some black activists to build progressive movements among poor and working class whites by supporting the GROW Project in Alabama and the Southern Mountain Project in Appalachia (for which the Bradens were again charged with sedition in 1967). Anne Braden persevered after Carl's death in 1975, fighting an anti-busing campaign and police brutality in Louisville, organizing against a resurgent KKK, leading Jesse Jackson’s presidential campaign in Kentucky and challenging the notion of 'reverse discrimination'. She convincingly countered that whenever black people won gains, poor and working class whites benefitted as well. Cornel West, Bernice Johnson Reagon, Rev. C.T. Vivian, Angela Davis and biographer, Catherine Fosl discuss the far reaching implications of Anne Braden's life of activism for today. This film will enlighten students in American History, Women's Studies, and Social Movements courses as well as Diversity Training programs.
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Field of Study
Women's Studies
Content Type
Documentary
Author / Creator
Mimi Pickering, fl. 1975-2012, Anne Lewis, fl. 1986-2012
Date Published / Released
2012-07
Publisher
California Newsreel
Person Discussed
Anne Braden, 1924-2006
Topic / Theme
Racism, Social conflict, Segregation, Women, Civil rights
Copyright Message
Copyright © 2012 by California Newsreel
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Arlit: Deuxieme Paris
directed by Idrissou Mora-Kpai, 1967-; produced by Idrissou Mora-Kpai, 1967- and Jeanette Jouili, fl. 2005, MKJ Films (California Newsreel, 2004), 1 hour 18 mins
Arlit is a case study in environmental racism set in a uranium mining town in the Sahara desert of Niger. Here European corporations extract nuclear power and profits leaving behind disease, contamination and unemployment. Ironically the primary activities of Arlit today is waiting, waiting to die of radiation re...
Sample
directed by Idrissou Mora-Kpai, 1967-; produced by Idrissou Mora-Kpai, 1967- and Jeanette Jouili, fl. 2005, MKJ Films (California Newsreel, 2004), 1 hour 18 mins
Description
Arlit is a case study in environmental racism set in a uranium mining town in the Sahara desert of Niger. Here European corporations extract nuclear power and profits leaving behind disease, contamination and unemployment. Ironically the primary activities of Arlit today is waiting, waiting to die of radiation related sicknesses or to emigrate to find work in Europe itself.
Field of Study
Environmental Studies
Content Type
Documentary
Contributor
Idrissou Mora-Kpai, 1967-, Jeanette Jouili, fl. 2005, MKJ Films
Author / Creator
Idrissou Mora-Kpai, 1967-
Date Published / Released
2004
Publisher
California Newsreel
Topic / Theme
Immigration and emigration, Radiation injuries, Mining towns, Uranium, Environmental impact analysis, Environmental illnesses, Economic conditions, Nigeriens (Niger), Tuareg
Copyright Message
Copyright © 2004 California Newsreel
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A Barber's Wisdom
directed by Amaka Igwe, 1954-2014; produced by Tajuddeen Adepetu, fl. 2001, M-Net (San Francisco, CA: California Newsreel, 2000), 28 mins
A Barber's Wisdom is a short farce showing what Nigerian filmmakers can do when not restricted by commercial concerns; the cinematographer is the director of our other new Nigerian release, Thunderbolt. In contrast to Surrender, the father here is ridiculed not for being too traditional but for not being tradition...
Sample
directed by Amaka Igwe, 1954-2014; produced by Tajuddeen Adepetu, fl. 2001, M-Net (San Francisco, CA: California Newsreel, 2000), 28 mins
Description
A Barber's Wisdom is a short farce showing what Nigerian filmmakers can do when not restricted by commercial concerns; the cinematographer is the director of our other new Nigerian release, Thunderbolt. In contrast to Surrender, the father here is ridiculed not for being too traditional but for not being traditional enough, for failing his responsibility to protect his family and uphold morality. Amadou is a barber whose business is so slow his f...
A Barber's Wisdom is a short farce showing what Nigerian filmmakers can do when not restricted by commercial concerns; the cinematographer is the director of our other new Nigerian release, Thunderbolt. In contrast to Surrender, the father here is ridiculed not for being too traditional but for not being traditional enough, for failing his responsibility to protect his family and uphold morality. Amadou is a barber whose business is so slow his formidable wife, Stella, has had to become the primary breadwinner by selling grilled fish. After a visit to the city, Amadou decides to modernize his shop to attract the hip younger generation. Apart from rap music, the principal new attractions are his two daughters, provocatively dressed like Lil' Kim and Jennifer Lopez. Stella is outraged that he is in a sense pimping his own daughters but Amadou will do anything to make money. He only sees the light after one of them tells him that she has become pregnant. When we last see him, he is burning the city clothes and the women are again in traditional dress. Unlike Zanzibar in Surrender, the society depicted in A Barber's Wisdom is rushing headlong toward modernity; references to a global television culture abound, and the pursuit of profit has encroached on every other value. The film's humor stems from the contrast between Amadou's presumptions of patriarchal authority and his craven exploitation of his own family. Behind this, one feels, is a more general indictment of Nigerian society, its often corrupt leaders and its "anything goes" economy.
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Field of Study
Black Studies
Content Type
Performance
Contributor
Tajuddeen Adepetu, fl. 2001, M-Net
Author / Creator
Amaka Igwe, 1954-2014
Date Published / Released
2000
Publisher
California Newsreel
Topic / Theme
Family, Family relationships, Fathers, Economic conditions, Hairstylists, Nigerians (Nigeria)
Copyright Message
Copyright © 2000 California Newsreel
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The Beloved Community
directed by Pamela Calvert, fl. 2006; produced by Pamela Calvert, fl. 2006, Detroit Public Television (San Francisco, CA: California Newsreel, 2006), 57 mins
In the summer of 2004, Canadian health researchers made a startling discovery in the Chippewa birth records for the city of Sarnia, an hour north of Detroit: for the past decade, female babies had been outnumbering male babies at a rate of 2:1. Further investigation revealed large numbers of miscarriages, a cluste...
Sample
directed by Pamela Calvert, fl. 2006; produced by Pamela Calvert, fl. 2006, Detroit Public Television (San Francisco, CA: California Newsreel, 2006), 57 mins
Description
In the summer of 2004, Canadian health researchers made a startling discovery in the Chippewa birth records for the city of Sarnia, an hour north of Detroit: for the past decade, female babies had been outnumbering male babies at a rate of 2:1. Further investigation revealed large numbers of miscarriages, a cluster of reproductive cancers in young women, and widespread neurological problems among the band's children.The Beloved Community looks at...
In the summer of 2004, Canadian health researchers made a startling discovery in the Chippewa birth records for the city of Sarnia, an hour north of Detroit: for the past decade, female babies had been outnumbering male babies at a rate of 2:1. Further investigation revealed large numbers of miscarriages, a cluster of reproductive cancers in young women, and widespread neurological problems among the band's children.The Beloved Community looks at a Great Lakes oil town facing a toxic legacy head-on. The nerve center of Canada’s petrochemical industry, Sarnia once enjoyed the highest standard of living in the country, but now the bill has come due, in a compromised environment and a devastating community health crisis. The city has already lost a generation of men to workplace-related cancers. Now their widows and daughters are discovering a reproductive time-bomb; because of their own exposure to a cluster of hormone-mimicking chemicals called "endocrine disruptors," the next generation may be at risk. How do you stay in the home you love when the price you pay may be not only your own life, but the safety of your children? The impact of endocrine disruptors on the reproductive health of wildlife is well-known, but the birth situation in Sarnia has never been seen in a human population, exposed on a daily basis to industrial pollutants. As these chemicals are in global use in everything from pesticides to dry cleaning fluid, the situation in Sarnia cannot be ignored by anyone concerned about the environment and health of his own community. As the corporations and government have proven unwilling or incapable of providing a solution, the community of Sarnia has been forced to take matters into its own hands. Women who have never thought of themselves as "scientists" are now going door to door, collecting health data from their neighbors in a search for answers. They are demanding a voice in the running of their own community from the complex of giant multinationals: Dow, Shell, DuPont, Imperial Oil, Suncor, Nova, Bayer, and dozens of others who have set the city’s course until now. Rather than abandoning a place that's been called a "slow motion Bhopal," or trying to shut down the plants, they are pressing for answers that can close the books on the past and reclaim the future.
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Field of Study
Global Issues
Content Type
Documentary
Contributor
Pamela Calvert, fl. 2006, Detroit Public Television
Author / Creator
Pamela Calvert, fl. 2006
Date Published / Released
2006
Publisher
California Newsreel
Topic / Theme
Health, Chemical industry, Pollution, Communities, Canadians
Copyright Message
Copyright © 2006 California Newsreel
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Berkeley in the Sixties
directed by Mark Kitchell; produced by Mark Kitchell (San Francisco, CA: California Newsreel, 1990), 1 hour 58 mins
Six years in the making and with a cast of thousands, Berkeley in the Sixties recaptures the exhilaration and turmoil of the unprecedented student protests that shaped a generation and changed the course of America. Many consider it to be the best filmic treatment of the 1960s yet made.
This Academy Award-nominat...
Sample
directed by Mark Kitchell; produced by Mark Kitchell (San Francisco, CA: California Newsreel, 1990), 1 hour 58 mins
Description
Six years in the making and with a cast of thousands, Berkeley in the Sixties recaptures the exhilaration and turmoil of the unprecedented student protests that shaped a generation and changed the course of America. Many consider it to be the best filmic treatment of the 1960s yet made.
This Academy Award-nominated documentary interweaves the memories of 15 former student leaders, who grapple with the meaning of their actions. Their recollection...
Six years in the making and with a cast of thousands, Berkeley in the Sixties recaptures the exhilaration and turmoil of the unprecedented student protests that shaped a generation and changed the course of America. Many consider it to be the best filmic treatment of the 1960s yet made.
This Academy Award-nominated documentary interweaves the memories of 15 former student leaders, who grapple with the meaning of their actions. Their recollections are interwoven with footage culled from thousands of historical clips and hundreds of interviews. Ronald Reagan, Dr. Martin Luther King, Jr., Mario Savio, Huey Newton, Allen Ginsburg, and the music of Jefferson Airplane, Jimi Hendrix, Joan Baez and the Grateful Dead all bring that tumultuous decade back to life.
Its reflective and insightful analysis of the era - from the HUAC hearings and civil rights sit-ins at the beginning of the decade through the Free Speech Movement, the anti-war protests, the growth of the counter-culture, the founding of the Black Panther Party and the stirrings of the Women's Movement - confronts every viewer with the questions the 1960s raised, which remain largely unanswered.
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Field of Study
Black Studies
Content Type
Documentary
Contributor
Mark Kitchell, Susan Griffin, 1943-
Author / Creator
Mark Kitchell
Date Published / Released
1990
Publisher
California Newsreel
Speaker / Narrator
Susan Griffin, 1943-
Topic / Theme
Counterculture, Civil rights, Political demonstrations, Student activism and activists, Berkeley Free Speech Movement, 1964-1965, Vietnam War, 1956-1975, U.S. Civil Rights Movement, 1954-, War and Violence, Political and Social Movements, The Sixties (1960–1974)
Copyright Message
Copyright © 1990 by California Newsreel
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Big Mama
directed by Tracy Seretean; composed by Bobby McFerrin, 1950-; produced by Tracy Seretean (San Francisco, CA: California Newsreel, 2000), 40 mins
Winner of an Academy Award in the Documentary Short category, Big Mama depicts a devoted grandmother's struggle to raise her orphaned grandson under the watchful eye of a complex and difficult social welfare system.
Big Mama follows 18 months in the lives of Viola Dees, an African American grandmother, and Walter...
Sample
directed by Tracy Seretean; composed by Bobby McFerrin, 1950-; produced by Tracy Seretean (San Francisco, CA: California Newsreel, 2000), 40 mins
Description
Winner of an Academy Award in the Documentary Short category, Big Mama depicts a devoted grandmother's struggle to raise her orphaned grandson under the watchful eye of a complex and difficult social welfare system.
Big Mama follows 18 months in the lives of Viola Dees, an African American grandmother, and Walter, her grandson, as she tries to raise him alone in South Central Los Angeles. Dees has taken care of Walter since the age of four, when...
Winner of an Academy Award in the Documentary Short category, Big Mama depicts a devoted grandmother's struggle to raise her orphaned grandson under the watchful eye of a complex and difficult social welfare system.
Big Mama follows 18 months in the lives of Viola Dees, an African American grandmother, and Walter, her grandson, as she tries to raise him alone in South Central Los Angeles. Dees has taken care of Walter since the age of four, when his father (Viola's son) died. Walter appears in the documentary as bright and sweetly loving to his grandmother, but also profoundly troubled, affected by his mother's prenatal drug intake. In the documentary, Walter is nine, and Dees is turning 90.
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Field of Study
Black Studies
Content Type
Biography
Contributor
Tracy Seretean
Author / Creator
Bobby McFerrin, 1950-, Tracy Seretean
Date Published / Released
2000
Publisher
California Newsreel
Topic / Theme
Extended family, Parenting, Black Studies
Copyright Message
Copyright © 2012. Used by permission of California Newsreel. All rights reserved.
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