2,952 results for your search
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Jacques D'Amboise And Merrill Ashley Coaching The Principal Pas De Deux From Diamonds From Jewels
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983, Ronald Bates; produced by George Balanchine Foundation; interview by Wendy Whelan, 1967-; performed by Chase Swatosh and Lauren Fadeley (New York, NY: George Balanchine Foundation, 2021), 2 hours 5 mins
This video is a coaching and interview with Jacques d'Amboise and Merrill Ashley.
Sample
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983, Ronald Bates; produced by George Balanchine Foundation; interview by Wendy Whelan, 1967-; performed by Chase Swatosh and Lauren Fadeley (New York, NY: George Balanchine Foundation, 2021), 2 hours 5 mins
Description
This video is a coaching and interview with Jacques d'Amboise and Merrill Ashley.
Date Written / Recorded
2019-06-03
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Chase Swatosh, Lauren Fadeley
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Ronald Bates, George Balanchine Foundation, John Philip Sousa, 1854-1932
Author / Creator
George Balanchine, 1904-1983, Wendy Whelan, 1967-, Chase Swatosh, Lauren Fadeley
Date Published / Released
2021
Publisher
George Balanchine Foundation
Person Discussed
Merrill Ashley, 1950-, Jacques d'Amboise, 1934-
Copyright Message
Copyright © 2021 The George Balanchine Foundation
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Patricia Mcbride Coaching Rubies From Jewels
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983, Ronald Bates; produced by George Balanchine Foundation; interview by Claudia Roth Pierpont; performed by Anthony Huxley and Lauren Lovette, fl. 2010 (New York, NY: George Balanchine Foundation, 2021), 2 hours 51 mins
This video is a coaching and interview with Patricia McBride.
Sample
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983, Ronald Bates; produced by George Balanchine Foundation; interview by Claudia Roth Pierpont; performed by Anthony Huxley and Lauren Lovette, fl. 2010 (New York, NY: George Balanchine Foundation, 2021), 2 hours 51 mins
Description
This video is a coaching and interview with Patricia McBride.
Date Written / Recorded
1967-04-16
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Anthony Huxley, Lauren Lovette, fl. 2010
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Ronald Bates, George Balanchine Foundation, Igor Stravinsky, 1882-1971
Author / Creator
George Balanchine, 1904-1983, Claudia Roth Pierpont, Anthony Huxley, Lauren Lovette, fl. 2010
Date Published / Released
2021
Publisher
George Balanchine Foundation
Person Discussed
Patricia McBride, 1942-
Copyright Message
Copyright © 2021 The George Balanchine Foundation
×
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Economist Video, Misty Copeland: Why Ballet Has So Few Black Dancers
produced by The Economist; interview by Anne McElvoy, in Economist Video (London, England: The Economist, 2020), 11 mins
Misty Copeland made history by becoming the first black female principal dancer at American Ballet Theatre. She talks to The Economist about the lack of diversity in ballet.
Sample
produced by The Economist; interview by Anne McElvoy, in Economist Video (London, England: The Economist, 2020), 11 mins
Description
Misty Copeland made history by becoming the first black female principal dancer at American Ballet Theatre. She talks to The Economist about the lack of diversity in ballet.
Field of Study
Dance
Content Type
Interview
Contributor
The Economist
Author / Creator
Anne McElvoy
Date Published / Released
2020
Publisher
The Economist
Series
Economist Video
Person Discussed
Misty Copeland, 1982-
Topic / Theme
Race discrimination, Ballet, African Americans
Copyright Message
Copyright © 2020 The Economist
×
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Edward Villella And Mimi Paul Coaching Bugaku
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983, David Hays, fl. 1967-1997; produced by George Balanchine Foundation; interview by Joel Lobenthal; performed by Jared Angle, fl. 1996 and Maria Kowroski, 1976- (New York, NY: George Balanchine Foundation, 2020), 2 hours 5 mins
This video is a coaching and interview with Edward Villella and Mimi Paul.
Sample
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983, David Hays, fl. 1967-1997; produced by George Balanchine Foundation; interview by Joel Lobenthal; performed by Jared Angle, fl. 1996 and Maria Kowroski, 1976- (New York, NY: George Balanchine Foundation, 2020), 2 hours 5 mins
Description
This video is a coaching and interview with Edward Villella and Mimi Paul.
Date Written / Recorded
1963-03-20
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Jared Angle, fl. 1996, Maria Kowroski, 1976-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, David Hays, fl. 1967-1997, George Balanchine Foundation, Toshiro Mayuzumi, 1929-
Author / Creator
George Balanchine, 1904-1983, Joel Lobenthal, Jared Angle, fl. 1996, Maria Kowroski, 1976-
Date Published / Released
2020
Publisher
George Balanchine Foundation
Person Discussed
Mimi Paul, Edward Villella, 1936-
Copyright Message
Copyright © 2020 The George Balanchine Foundation
×
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Karin Von Aroldingen Coaching Tschaikovsky Suite no. 3 And Who Cares?
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by Anna Kisselgoff, 1938-; performed by Robert Fairchild, 1988-, Teresa Reichlen, fl. 1999, Ask la Cour, fl. 2015 and Sara Mearns, 1986- (New York, NY: George Balanchine Foundation, 2020), 1 hour 16 mins
This video is a coaching and interview with Karin Von Aroldingen.
Sample
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by Anna Kisselgoff, 1938-; performed by Robert Fairchild, 1988-, Teresa Reichlen, fl. 1999, Ask la Cour, fl. 2015 and Sara Mearns, 1986- (New York, NY: George Balanchine Foundation, 2020), 1 hour 16 mins
Description
This video is a coaching and interview with Karin Von Aroldingen.
Date Written / Recorded
2016-01-18
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Robert Fairchild, 1988-, Teresa Reichlen, fl. 1999, Ask la Cour, fl. 2015, Sara Mearns, 1986-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, George Balanchine Foundation, George Gershwin, 1898-1937, Pyotr Il'yich Tchaikovsky, 1840-1893
Author / Creator
George Balanchine, 1904-1983, Anna Kisselgoff, 1938-, Robert Fairchild, 1988-, Teresa Reichlen, fl. 1999, Ask la Cour, fl. 2015, Sara Mearns, 1986-
Date Published / Released
2020
Publisher
George Balanchine Foundation
Person Discussed
Karin von Aroldingen, 1941-
Copyright Message
Copyright © 2020 The George Balanchine Foundation
×
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Robert Barnett And Patricia Wilde Coaching Excerpts From George Balanchine's The Nutcracker
choreographed by George Balanchine, 1904-1983 and Lev Ivanov, 1834-1901; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by Jack Anderson, 1935-; performed by Indiana Woodward and Alexander Peters (New York, NY: George Balanchine Foundation, 2020), 1 hour 2 mins
This video is a coaching and interview with Robert Barnett and Patricia Wilde.
Sample
choreographed by George Balanchine, 1904-1983 and Lev Ivanov, 1834-1901; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by Jack Anderson, 1935-; performed by Indiana Woodward and Alexander Peters (New York, NY: George Balanchine Foundation, 2020), 1 hour 2 mins
Description
This video is a coaching and interview with Robert Barnett and Patricia Wilde.
Date Written / Recorded
2016-11-14
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Indiana Woodward, Alexander Peters
Contributor
George Balanchine, 1904-1983, Lev Ivanov, 1834-1901, Barbara Karinska, 1886-1983, George Balanchine Foundation, Pyotr Il'yich Tchaikovsky, 1840-1893
Author / Creator
George Balanchine, 1904-1983, Lev Ivanov, 1834-1901, Jack Anderson, 1935-, Indiana Woodward, Alexander Peters
Date Published / Released
2020
Publisher
George Balanchine Foundation
Person Discussed
Patricia Wilde, 1928-, Robert Barnett, fl. 1949
Copyright Message
Copyright © 2020 The George Balanchine Foundation
×
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Robert Barnett, Gloria Govrin, Allegra Kent Coaching Excerpts From Stars And Stripes
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by Jack Anderson, 1935-; performed by Indiana Woodward and Alexander Peters (New York, NY: George Balanchine Foundation, 2020), 1 hour 40 mins
This video is a coaching and interview with Robert Barnett, Gloria Govrin, and Allegra Kent
Sample
choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by George Balanchine Foundation; interview by Jack Anderson, 1935-; performed by Indiana Woodward and Alexander Peters (New York, NY: George Balanchine Foundation, 2020), 1 hour 40 mins
Description
This video is a coaching and interview with Robert Barnett, Gloria Govrin, and Allegra Kent
Date Written / Recorded
1958-01-17
Field of Study
Dance
Content Type
Instructional material
Performer / Ensemble
Indiana Woodward, Alexander Peters
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, George Balanchine Foundation, John Philip Sousa, 1854-1932
Author / Creator
George Balanchine, 1904-1983, Jack Anderson, 1935-, Indiana Woodward, Alexander Peters
Date Published / Released
2020
Publisher
George Balanchine Foundation
Person Discussed
Allegra Kent, 1937-, Gloria Govrin, Robert Barnett, fl. 1949
Copyright Message
Copyright © 2020 The George Balanchine Foundation
×
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Ancestors & Elders, Dancing on Eggshells: The Making of Shumka's Ancestors & Elders
directed by Leslie Sereda; choreographed by Adrian LaChance, 1972-, Paul Olijnyk, Tasha Orysiuk and Joseph Hoffman; designed by Megan Koshka, Jeff Osterlin, fl. 1997; produced by Leslie Sereda and Steve Glassman, fl. 1988, Ukrainian Shumka Dancers, in Ancestors & Elders (Edmonton, AB: Ukrainian Shumka Dancers, 2019), 52 mins
A documentary on the making of Shumka’s Ancestors & Elders which follows the production Co-Directors: Indigenous theatre artist Barry Bilinsky and Shumka choreographer and dancer Joseph Hoffman. The documentary focuses on the artists’ creative process as they navigate the difficulties of uniting their respecti...
Sample
directed by Leslie Sereda; choreographed by Adrian LaChance, 1972-, Paul Olijnyk, Tasha Orysiuk and Joseph Hoffman; designed by Megan Koshka, Jeff Osterlin, fl. 1997; produced by Leslie Sereda and Steve Glassman, fl. 1988, Ukrainian Shumka Dancers, in Ancestors & Elders (Edmonton, AB: Ukrainian Shumka Dancers, 2019), 52 mins
Description
A documentary on the making of Shumka’s Ancestors & Elders which follows the production Co-Directors: Indigenous theatre artist Barry Bilinsky and Shumka choreographer and dancer Joseph Hoffman. The documentary focuses on the artists’ creative process as they navigate the difficulties of uniting their respective cultural stories, while dancing around 150 years of cultural baggage. What story should we tell? How is each of our cultures portray...
A documentary on the making of Shumka’s Ancestors & Elders which follows the production Co-Directors: Indigenous theatre artist Barry Bilinsky and Shumka choreographer and dancer Joseph Hoffman. The documentary focuses on the artists’ creative process as they navigate the difficulties of uniting their respective cultural stories, while dancing around 150 years of cultural baggage. What story should we tell? How is each of our cultures portrayed? How do we depict the struggles that each of our peoples encountered? All questions considered as the journey of the creative process became bigger than the work itself. Various behind-the-scenes aspects of Ancestors & Elders are examined including costuming, music, and production - intertwined with elements of the stage show - to tell the story of the creation of this ground-breaking production.
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Date Written / Recorded
2019-03-08
Field of Study
Dance
Content Type
Documentary
Contributor
Adrian LaChance, 1972-, Paul Olijnyk, Tasha Orysiuk, Joseph Hoffman, Megan Koshka, Jeff Osterlin, fl. 1997, Barry Bilinsky, Leslie Sereda, Steve Glassman, fl. 1988, Ukrainian Shumka Dancers, Carissa Klopoushak, Mike Romaniak
Author / Creator
Adrian LaChance, 1972-, Paul Olijnyk, Tasha Orysiuk, Joseph Hoffman, Leslie Sereda
Date Published / Released
2019
Publisher
Ukrainian Shumka Dancers
Series
Ancestors & Elders
Topic / Theme
Indigenous peoples, Immigrant populations, Cree, Ukrainians
Copyright Message
Copyright © 2019 Ukrainian Shumka Dancers
×
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ATENA/NETS
directed by Mark Freeman, 1949-; choreographed by Julius Yaw Quansah, fl. 2000 and Sena Atsugah, fl. 2008; produced by Mark Freeman, 1949-, Mark Freeman Films; performed by Julius Yaw Quansah, fl. 2000 and Sena Atsugah, fl. 2008 (San Diego, CA: Mark Freeman Films, 2019), 7 mins
AETNA/NETS is a site-specific contemporary dance set in Jamestown, a traditional fishing community in Accra, the capital of Ghana. Rising stars in Ghana’s dance community, Julius Yaw Quansah and Sena Atsugah are enmeshed in the challenges of daily life. Drawing from Ghanaian customs and traditions, they cast a w...
Sample
directed by Mark Freeman, 1949-; choreographed by Julius Yaw Quansah, fl. 2000 and Sena Atsugah, fl. 2008; produced by Mark Freeman, 1949-, Mark Freeman Films; performed by Julius Yaw Quansah, fl. 2000 and Sena Atsugah, fl. 2008 (San Diego, CA: Mark Freeman Films, 2019), 7 mins
Description
AETNA/NETS is a site-specific contemporary dance set in Jamestown, a traditional fishing community in Accra, the capital of Ghana. Rising stars in Ghana’s dance community, Julius Yaw Quansah and Sena Atsugah are enmeshed in the challenges of daily life. Drawing from Ghanaian customs and traditions, they cast a wide net, remaking their world. The soundtrack for ATENA/NETS was created by the New Global Ensemble, a collaboration of artists from th...
AETNA/NETS is a site-specific contemporary dance set in Jamestown, a traditional fishing community in Accra, the capital of Ghana. Rising stars in Ghana’s dance community, Julius Yaw Quansah and Sena Atsugah are enmeshed in the challenges of daily life. Drawing from Ghanaian customs and traditions, they cast a wide net, remaking their world. The soundtrack for ATENA/NETS was created by the New Global Ensemble, a collaboration of artists from the USA, Germany, and Ghana.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Julius Yaw Quansah, fl. 2000, Sena Atsugah, fl. 2008
Contributor
Julius Yaw Quansah, fl. 2000, Sena Atsugah, fl. 2008, Mark Freeman, 1949-, Mark Freeman Films
Author / Creator
Julius Yaw Quansah, fl. 2000, Sena Atsugah, fl. 2008, Mark Freeman, 1949-
Date Published / Released
2019
Publisher
Mark Freeman Films
Copyright Message
Copyright © 2019 Mark Freeman Films
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Contact Quarterly, Vol. 44, No. 1, Winter/Spring 2019
edited by Nancy Stark Smith, 1952-, Lisa Nelson, 1949- and Melinda Buckwalter, fl. 2003, in Contact Quarterly, Vol. 44, No. 1, Winter/Spring 2019 (Northampton, MA: Contact Quarterly (Journal), 2019), 82 page(s)
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Sample
edited by Nancy Stark Smith, 1952-, Lisa Nelson, 1949- and Melinda Buckwalter, fl. 2003, in Contact Quarterly, Vol. 44, No. 1, Winter/Spring 2019 (Northampton, MA: Contact Quarterly (Journal), 2019), 82 page(s)
Description
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Nancy Stark Smith, 1952-, Lisa Nelson, 1949-, Melinda Buckwalter, fl. 2003
Date Published / Released
2019
Publisher
Contact Quarterly (Journal)
Series
Contact Quarterly
Topic / Theme
Dance and dancing, Dance theory, Dance technique, Contact Improvisation
Copyright Message
Copyright © Contact Quarterly Contact Quarterly
×
