1,270 results for your search

Economist Video, Misty Copeland: Why Ballet Has So Few Black Dancers
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Economist Video, Misty Copeland: Why Ballet Has So Few Black Dancers

produced by The Economist; interview by Anne McElvoy, in Economist Video (London, England: The Economist, 2020), 11 mins
Misty Copeland made history by becoming the first black female principal dancer at American Ballet Theatre. She talks to The Economist about the lack of diversity in ballet.
Sample

Economist Video, Misty Copeland: Why Ballet Has So Few Black Dancers

produced by The Economist; interview by Anne McElvoy, in Economist Video (London, England: The Economist, 2020), 11 mins
Cite Playlist Embed/Link
Description
Misty Copeland made history by becoming the first black female principal dancer at American Ballet Theatre. She talks to The Economist about the lack of diversity in ballet.
Field of Study
Dance
Content Type
Interview
Contributor
The Economist
Author / Creator
Anne McElvoy
Date Published / Released
2020
Publisher
The Economist
Series
Economist Video
Person Discussed
Misty Copeland, 1982-
Topic / Theme
Race discrimination, Ballet, African Americans
Copyright Message
Copyright © 2020 The Economist
×
Dance Magazine, Vol. 92, no. 11, November, 2018
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Dance Magazine, Vol. 92, no. 11, November, 2018

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 11, November, 2018 (New York, NY: DanceMedia, 2018), 124 page(s)
Dance Magazine is a trade publication for dance.
Sample

Dance Magazine, Vol. 92, no. 11, November, 2018

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 11, November, 2018 (New York, NY: DanceMedia, 2018), 124 page(s)
Cite Playlist Embed/Link
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2018-11, 2018
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Alonzo King, 1952-, Ryan Steele, 1990-, Jerome Robbins, 1918-1998, Margaret Selby, fl. 1999, Yabin Wang, Bobbi Jene Smith, fl. 2018
Topic / Theme
Dance and dancing, Dancers, Ballet
Sections
×
Dance Magazine, Vol. 92, no. 12, December, 2018
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Dance Magazine, Vol. 92, no. 12, December, 2018

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 12, December, 2018 (New York, NY: DanceMedia, 2018), 76 page(s)
Dance Magazine is a trade publication for dance.
Sample

Dance Magazine, Vol. 92, no. 12, December, 2018

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 12, December, 2018 (New York, NY: DanceMedia, 2018), 76 page(s)
Cite Playlist Embed/Link
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2018-12, 2018
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Ari Groover, Ashley Wegmann, Laine Habony, fl. 2013, Irina Dvorovenko, fl. 2007, Mana Hashimoto, Adji Cissoko, fl. 2017
Topic / Theme
Dance and dancing, Dancers, Ballet
Sections
×
Iconic India
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Iconic India

produced by Cable News Network (CNN) (Atlanta, GA: Cable News Network (CNN), 2018), 23 mins
From movements rooted in the Hindu faith to choreography that blends in outside influences, CNN takes the pulse of India’s dance scene of the street, temple and stage.
Sample

Iconic India

produced by Cable News Network (CNN) (Atlanta, GA: Cable News Network (CNN), 2018), 23 mins
Cite Playlist Embed/Link
Description
From movements rooted in the Hindu faith to choreography that blends in outside influences, CNN takes the pulse of India’s dance scene of the street, temple and stage.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Cable News Network (CNN)
Date Published / Released
2018
Publisher
Cable News Network (CNN)
Person Discussed
Saroja Vaidyanathan, 1937-, Shiamak Davar, 1961-, Shakti Mohan, 1985-, Terence Lewis, 1975-
Topic / Theme
Indians (Asian)
Copyright Message
Copyright © 2018 CNN Newsource Sales
×
Dance Magazine, Vol. 92, no. 10, October, 2018
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Dance Magazine, Vol. 92, no. 10, October, 2018

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 10, October, 2018 (New York, NY: Dance Magazine, 2018), 84 page(s)
Dance Magazine is a trade publication for dance.
Sample

Dance Magazine, Vol. 92, no. 10, October, 2018

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 10, October, 2018 (New York, NY: Dance Magazine, 2018), 84 page(s)
Cite Playlist Embed/Link
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2018-10, 2018
Publisher
Dance Magazine
Series
Dance Magazine
Person Discussed
Adam Shankman, 1964-, Emma Portner, 1994-, Lucinda Childs
Topic / Theme
Dancers, Dance and dancing
Sections
×
Dancing With Eiko
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Dancing With Eiko

produced by Maureen Towey, fl. 2015, New York Times Company (New York, NY: The New York Times 360, 2017), 3 mins
“People now comment, ‘Eiko, you are moving faster!’ I joke back and say, I don’t have much time left!”
Sample

Dancing With Eiko

produced by Maureen Towey, fl. 2015, New York Times Company (New York, NY: The New York Times 360, 2017), 3 mins
Cite Playlist Embed/Link
Description
“People now comment, ‘Eiko, you are moving faster!’ I joke back and say, I don’t have much time left!”
Field of Study
Dance
Content Type
360VR
Contributor
Maureen Towey, fl. 2015, New York Times Company
Date Published / Released
2017
Publisher
The New York Times 360
Copyright Message
Copyright © 2017 New York Times Company
×
Great Big Story, Dancing Like Warriors
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Great Big Story, Dancing Like Warriors

produced by Great Big Story, in Great Big Story (Atlanta, GA: Cable News Network (CNN), 2017), 3 mins
A common misconception about hula is that it's a dance tradition strictly for women. Nope. In ancient Hawai'i, men were the first to dance hula, and the best dancers were even chosen to become warriors. Today, Ke Kai O Kahiki—one of Hawaii's most famous male hula schools — is carrying on this tradition by tell...
Sample

Great Big Story, Dancing Like Warriors

produced by Great Big Story, in Great Big Story (Atlanta, GA: Cable News Network (CNN), 2017), 3 mins
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Description
A common misconception about hula is that it's a dance tradition strictly for women. Nope. In ancient Hawai'i, men were the first to dance hula, and the best dancers were even chosen to become warriors. Today, Ke Kai O Kahiki—one of Hawaii's most famous male hula schools — is carrying on this tradition by telling warrior stories with dance. To do so, dancers train in the same way as their ancient forebearers, using the land itself as a harsh... A common misconception about hula is that it's a dance tradition strictly for women. Nope. In ancient Hawai'i, men were the first to dance hula, and the best dancers were even chosen to become warriors. Today, Ke Kai O Kahiki—one of Hawaii's most famous male hula schools — is carrying on this tradition by telling warrior stories with dance. To do so, dancers train in the same way as their ancient forebearers, using the land itself as a harsh and unforgiving gym. To dance like a warrior, you need to train like one. This video is from the Human Condition collection of Great Big Stories. Show more Show less
Field of Study
Anthropology
Content Type
News story
Contributor
Great Big Story
Date Published / Released
2017
Publisher
Cable News Network (CNN)
Series
Great Big Story
Topic / Theme
Hula
Copyright Message
Copyright © 2017 CNN Newsource Sales
×
Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2
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Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2

choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Edward Villella, 1936-, in Interpreters Archive, in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2 (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 1 hour 5 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interv...

Sample

Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2

choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Edward Villella, 1936-, in Interpreters Archive, in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2 (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 1 hour 5 mins
Cite Playlist Embed/Link
Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by pr...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2015
Field of Study
Dance
Content Type
Interview, Masterclass
Performer / Ensemble
Edward Villella, 1936-
Contributor
George Balanchine, 1904-1983, Otterson TV, Sergey Prokofiev, 1891-1953
Author / Creator
George Balanchine, 1904-1983, Edward Villella, 1936-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Sergey Prokofiev, 1891-1953, George Balanchine, 1904-1983
Topic / Theme
Ballet, Performance coaching, Dance technique, Jews
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?
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Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Jacques d'Amboise, 1934-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 10 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from...

Sample

Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Jacques d'Amboise, 1934-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 10 mins
Cite Playlist Embed/Link
Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video A...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

Show more Show less

Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Jacques d'Amboise, 1934-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Jacques d'Amboise, 1934-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?
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Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Patricia McBride, 1942-, Charlotte Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 15 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride....

Sample

Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Patricia McBride, 1942-, Charlotte Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 15 mins
Cite Playlist Embed/Link
Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

Show more Show less

Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
Charlotte Ballet, Patricia McBride, 1942-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, Charlotte Ballet, Patricia McBride, 1942-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×

Pages