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The Blue Vein Society: Class and Color Within Black America: Foreword
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written by Joel Shatzky, 1943-, in The Blue Vein Society: Class and Color Within Black America by Sam Kelley. (Bloomington, IN: Xlibris, 2013). pp. xiii-xvii (2013, originally published 2013), 5 page(s)
written by Joel Shatzky, 1943-, in The Blue Vein Society: Class and Color Within Black America by Sam Kelley. (Bloomington, IN: Xlibris, 2013). pp. xiii-xvii (2013, originally published 2013), 5 page(s)
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No Hidin' Place
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written by Sam Kelley, 1946- (Bloomington, IN: Xlibris, 2013, originally published 2013), 43 page(s)
written by Sam Kelley, 1946- (Bloomington, IN: Xlibris, 2013, originally published 2013), 43 page(s)
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Mother, Dear Mother, I Still Think of Thee
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written by J. E. Franklin, 1937- (Privately Published, 2013, originally published 2013), 22 page(s)
"Mother, Dear Mother" is a One Act play based on my full-length work entitled "Wonderchild." Both the longer and the shorter work tell the story of the Post-Civil War enslavement of Thomas Greene Wiggins, billed as Blind Tom, the Black musical genius. The boy was born blind, and he suffered from a condition which,...
written by J. E. Franklin, 1937- (Privately Published, 2013, originally published 2013), 22 page(s)
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A Fond Farewell
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written by Barbara J. Molette, 1940- and Carlton Woodard Molette, 1939- (Atlanta, GA: Privately Published, 2013, originally published 2013), 11 page(s)
Charlie Burns is dead. His current wife and his first wife are at the funeral home. Their remembrances of Charlie are not exactly in concert. Nor are their views about the details of his fond farewell. Then, Fred Barber arrives to wish Charlie Burns a fond farewell.
written by Barbara J. Molette, 1940- and Carlton Woodard Molette, 1939- (Atlanta, GA: Privately Published, 2013, originally published 2013), 11 page(s)
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The Legacy Project: Dramatists Talk about Their Work, Volume 2, Charles Fuller in Conversation with Lynn Nottage
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directed by Jeremy S. Levine, 1984-; produced by Jonathan Reynolds, fl. 1984, Transient Pictures; interview by Lynn Nottage, 1964-, in The Legacy Project: Dramatists Talk about Their Work, Volume 2 (New York, NY: Filmakers Library, 2013), 46 mins
The Legacy Project: Volume II documents and preserves the creative process of America's most esteemed writers for the theater in a series of filmed conversations, each featuring an established stage author (or team of collaborators) being interviewed by an emerging writer. Charles Fuller is the first African Ameri...
directed by Jeremy S. Levine, 1984-; produced by Jonathan Reynolds, fl. 1984, Transient Pictures; interview by Lynn Nottage, 1964-, in The Legacy Project: Dramatists Talk about Their Work, Volume 2 (New York, NY: Filmakers Library, 2013), 46 mins
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White Chocolate: Foreword
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written by Daniel Axelrod, fl. 2011, in White Chocolate, by Sam Kelley. (Bloomington, IN: Xlibris, 2013), pp. XIII-XV (2013, originally published 2013), 3 page(s)
written by Daniel Axelrod, fl. 2011, in White Chocolate, by Sam Kelley. (Bloomington, IN: Xlibris, 2013), pp. XIII-XV (2013, originally published 2013), 3 page(s)
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Desdemona
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written by Toni Morrison, 1931-2019 and Rokia Traore (London, England: Oberon Books, 2012, originally published 2012), 58 page(s)
The story of Desdemona from Shakespeare’s Othello is re-imagined by Nobel Prize laureate Toni Morrison, Malian singer and songwriter Rokia Traoré, and acclaimed stage director Peter Sellars.

Morrison’s response to Sellars’ 2009 production of Othello is an intimate dialogue of words and music between Desdemona...

written by Toni Morrison, 1931-2019 and Rokia Traore (London, England: Oberon Books, 2012, originally published 2012), 58 page(s)
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Absolution
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written by Malika Booker, fl. 1999, in Hidden Gems Vol. II: Contemporary Black British Plays, ed. by Deirdre Osborne. (London: Oberon Books, 2012). p. NA (2012, originally published 2012), 32 page(s)
written by Malika Booker, fl. 1999, in Hidden Gems Vol. II: Contemporary Black British Plays, ed. by Deirdre Osborne. (London: Oberon Books, 2012). p. NA (2012, originally published 2012), 32 page(s)
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Maskarade: A 'Jonkunnu' Musical Play
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written by Sylvia Wynter, 1928-, in Mixed Company: Three Early Jamaican Plays, edited by Yvonne Brewster. (London: Oberon Books, 2012), p. NA (2012, originally published 2012), 121 page(s)
written by Sylvia Wynter, 1928-, in Mixed Company: Three Early Jamaican Plays, edited by Yvonne Brewster. (London: Oberon Books, 2012), p. NA (2012, originally published 2012), 121 page(s)
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Thruway Diaries
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written by Sam Kelley, 1946- (Bloomington, IN: Xlibris, 2012, originally published 2012), 86 page(s)
In Kelley's Thruway Diaries, the Cadillac, that Black American symbol of "having made it," provides no immunity to Big T and his family as they travel from Chicago to his native Mississippi in the early sixties and find themselves the target of police officers hell bent on making sure they "know their place." Almo...
written by Sam Kelley, 1946- (Bloomington, IN: Xlibris, 2012, originally published 2012), 86 page(s)
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