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Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2
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Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2

choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Edward Villella, 1936-, in Interpreters Archive, in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2 (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 1 hour 5 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interv...

Sample

Interpreters Archive, Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2

choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Edward Villella, 1936-, in Interpreters Archive, in Balanchine Foundation Video Archives: EDWARD VILLELLA Coaching Excerpts of Principal Roles from Prodigal Son, Part 2 (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 1 hour 5 mins
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Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by pr...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Edward Villella coaches Daniel Ulbricht and Ask la Cour from New York City Ballet on Prodigal Son, Part 2 - Awakening and Remorse. Also Robert Greskovic interviews Edward Villella.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2015
Field of Study
Dance
Content Type
Interview, Masterclass
Performer / Ensemble
Edward Villella, 1936-
Contributor
George Balanchine, 1904-1983, Otterson TV, Sergey Prokofiev, 1891-1953
Author / Creator
George Balanchine, 1904-1983, Edward Villella, 1936-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Sergey Prokofiev, 1891-1953, George Balanchine, 1904-1983
Topic / Theme
Ballet, Performance coaching, Dance technique, Jews
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?
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Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Jacques d'Amboise, 1934-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 10 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from...

Sample

Interpreters Archive, Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Jacques d'Amboise, 1934-, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: JACQUES D'AMBOISE Coaching Principal Roles from Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 10 mins
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Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video A...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a 2013 studio setting at New York City Ballet Studios, Lincoln Center, New York, Jacques D'Amboise coaches Robert Fairchild, Sara Mearns, Tiler Peck and Ana Sophia Scheller from New York City Ballet on Balanchine's Who Cares?. Also Alastair Macaulay interviews Jacques D'Amboise.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

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Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Jacques d'Amboise, 1934-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Jacques d'Amboise, 1934-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?
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Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Patricia McBride, 1942-, Charlotte Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 15 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride....

Sample

Interpreters Archive, Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares?

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; designed by Barbara Karinska, 1886-1983; produced by Otterson TV; performed by Patricia McBride, 1942-, Charlotte Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: PATRICIA McBRIDE Coaching Excerpts from Her Role in Who Cares? (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 15 mins
Cite Playlist Embed/Link
Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Patricia McBride coaches Alessandra Ball James and Josh Hall from Charlotte Ballet on Balanchine's Who Cares?. Also Nancy Reynolds interviews Patricia McBride.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

Show more Show less

Date Written / Recorded
2016
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
Charlotte Ballet, Patricia McBride, 1942-
Contributor
George Balanchine, 1904-1983, Barbara Karinska, 1886-1983, Otterson TV, George Gershwin, 1898-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, Charlotte Ballet, Patricia McBride, 1942-
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Interpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine
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Interpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Jean-Pierre Bonnefoux, 1943- and Violette Verdy, 1933-2016, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 47 mins

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews...

Sample

Interpreters Archive, Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine

directed by Nancy Reynolds, fl. 1994; choreographed by George Balanchine, 1904-1983; produced by Otterson TV; performed by Jean-Pierre Bonnefoux, 1943- and Violette Verdy, 1933-2016, New York City Ballet, in Interpreters Archive, in Balanchine Foundation Video Archives: VIOLETTE VERDY and JEAN-PIERRE BONNEFOUX Coaching Sonatine (New York, NY - Manhattan - Lincoln Square: George Balanchine Foundation, 2017), 2 hours 47 mins
Cite Playlist Embed/Link
Description

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.

The overall goal of the Video Archives Program is to create an original "manuscript" of Bal...

This video from Balanchine Foundation Video Archives is devoted to examining selected passages of Balanchine's choreography in detail. In a studio setting, Violette Verdy and Jean-Pierre Bonnefoux coach Ashley Laracey and Chase Finlay from New York City Ballet on Balanchine's Sonatine. Also Marina Harss interviews Violette Verdy and Jean-Pierre Bonnefoux.

The overall goal of the Video Archives Program is to create an original "manuscript" of Balanchine ballets by preserving not only the steps but the nuances of the choreography as conceived and taught to the dancers by Balanchine himself.

Show more Show less

Date Written / Recorded
2015
Field of Study
Dance
Content Type
Masterclass, Interview
Performer / Ensemble
New York City Ballet, Jean-Pierre Bonnefoux, 1943-, Violette Verdy, 1933-2016
Contributor
George Balanchine, 1904-1983, Otterson TV, Maurice Ravel, 1875-1937
Author / Creator
George Balanchine, 1904-1983, Nancy Reynolds, fl. 1994, New York City Ballet, Jean-Pierre Bonnefoux, 1943-, Violette Verdy, 1933-2016
Date Published / Released
2017
Publisher
George Balanchine Foundation
Series
Interpreters Archive
Person Discussed
Maurice Ravel, 1875-1937, George Balanchine, 1904-1983
Topic / Theme
Ballet, Dance technique, Performance coaching
Copyright Message
Copyright © 2017 The George Balanchine Foundation, Inc.
Segments
×
Kawral
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Kawral

directed by Mohamed Athamna, fl. 2007; composed by Laurent Blondiau, 1968-; conducted by Laurent Blondiau, 1968-; choreographed by Salia Sanou, 1969-; designed by Silvia Hasenclever, fl. 2017, Sam Mary, fl. 2017; produced by Marie-Pierre Bousquet, fl. 2011, Met-X and Axe Sud; performed by Ibrahim Zongo, fl. 2017, Lucie Ouédraogo, fl. 2017, Daouda Zerbo, fl. 2017, Mariam Traore, fl. 2017, Michael Nana, fl. 2017, João Lobo, 1981-, Giovanni Di Domenico, 1977-, Lynn Cassiers, 1984- and Laurent Blondiau, 1968- (Paris, Ile-de-France: Windrose SAS, 2017), 49 mins
This "concert-dance performance" is the encounter between the musical and sound universe of the collective Mâäk (European ensemble directed by Laurent Blondiau) between electro and jazz and that of five Burkinabe dancers, choreographed by Salia Sanou. The bodies and the instruments are confronting each other. Ea...
Sample

Kawral

directed by Mohamed Athamna, fl. 2007; composed by Laurent Blondiau, 1968-; conducted by Laurent Blondiau, 1968-; choreographed by Salia Sanou, 1969-; designed by Silvia Hasenclever, fl. 2017, Sam Mary, fl. 2017; produced by Marie-Pierre Bousquet, fl. 2011, Met-X and Axe Sud; performed by Ibrahim Zongo, fl. 2017, Lucie Ouédraogo, fl. 2017, Daouda Zerbo, fl. 2017, Mariam Traore, fl. 2017, Michael Nana, fl. 2017, João Lobo, 1981-, Giovanni Di Domenico, 1977-, Lynn Cassiers, 1984- and Laurent Blondiau, 1968- (Paris, Ile-de-France: Windrose SAS, 2017), 49 mins
Cite Playlist Embed/Link
Description
This "concert-dance performance" is the encounter between the musical and sound universe of the collective Mâäk (European ensemble directed by Laurent Blondiau) between electro and jazz and that of five Burkinabe dancers, choreographed by Salia Sanou. The bodies and the instruments are confronting each other. Each rhythm and sound, gesture and movement is lost in the universe of the other to rebuild itself. Kawral is the quest for the beauty of... This "concert-dance performance" is the encounter between the musical and sound universe of the collective Mâäk (European ensemble directed by Laurent Blondiau) between electro and jazz and that of five Burkinabe dancers, choreographed by Salia Sanou. The bodies and the instruments are confronting each other. Each rhythm and sound, gesture and movement is lost in the universe of the other to rebuild itself. Kawral is the quest for the beauty of encounter, instinctive, free and spontaneous, with improvisations where North and South meet, different lifestyles intertwine and discover each other. Shot at Chapelle du Verbe Incarné, during festival of Avignon, France. Show more Show less
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Ibrahim Zongo, fl. 2017, Lucie Ouédraogo, fl. 2017, Daouda Zerbo, fl. 2017, Mariam Traore, fl. 2017, Michael Nana, fl. 2017, João Lobo, 1981-, Giovanni Di Domenico, 1977-, Lynn Cassiers, 1984-, Laurent Blondiau, 1968-
Contributor
Salia Sanou, 1969-, Laurent Blondiau, 1968-, Silvia Hasenclever, fl. 2017, Sam Mary, fl. 2017, Marie-Pierre Bousquet, fl. 2011, Met-X, Axe Sud
Author / Creator
Salia Sanou, 1969-, Laurent Blondiau, 1968-, Mohamed Athamna, fl. 2007, Ibrahim Zongo, fl. 2017, Lucie Ouédraogo, fl. 2017, Daouda Zerbo, fl. 2017, Mariam Traore, fl. 2017, Michael Nana, fl. 2017, João Lobo, 1981-, Giovanni Di Domenico, 1977-, Lynn Cassiers, 1984-
Date Published / Released
2017
Publisher
Windrose SAS
Copyright Message
Copyright © 2017 Axe Sud - Ewilona Prod
×
Mikhail Baryshnikov Gives a Tour of His Arts Center
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Mikhail Baryshnikov Gives a Tour of His Arts Center

produced by Jean Yves Chainon, fl. 2017, New York Times Company (New York, NY: The New York Times 360, 2017), 3 mins
Mikhail Baryshnikov, one of the greatest dancers of the 20th century, introduces the Baryshnikov Arts Center and its most recent crop of international artists.
Sample

Mikhail Baryshnikov Gives a Tour of His Arts Center

produced by Jean Yves Chainon, fl. 2017, New York Times Company (New York, NY: The New York Times 360, 2017), 3 mins
Cite Playlist Embed/Link
Description
Mikhail Baryshnikov, one of the greatest dancers of the 20th century, introduces the Baryshnikov Arts Center and its most recent crop of international artists.
Field of Study
Dance
Content Type
360VR
Contributor
Jean Yves Chainon, fl. 2017, New York Times Company
Date Published / Released
2017
Publisher
The New York Times 360
Copyright Message
Copyright © 2017 New York Times Company
×
Y Ole!
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Y Ole!

directed by Greg Germain, 1947-; choreographed by José Montalvo; designed by Rose-Marie Melka, fl. 1982, Vincent Paoli, fl. 2010 and Gilles Durand, fl. 2019; produced by Marie-Pierre Bousquet, fl. 2011, Théâtre national de Chaillot and Axe Sud; performed by Via Katlehong (Paris, Ile-de-France: Windrose SAS, 2017), 1 hour 7 mins
Permanent choreographer at the Théâtre de Chaillot (Paris), José Montalvo created a hybrid contemporary ballet, with flamenco, Stravinsky's The Rite of Spring, hits of his adolescence, traditional African songs and hip hop. Eleven dancers and five Spanish dancers-singers will make you vibrate! Shot in Théâtre...
Sample

Y Ole!

directed by Greg Germain, 1947-; choreographed by José Montalvo; designed by Rose-Marie Melka, fl. 1982, Vincent Paoli, fl. 2010 and Gilles Durand, fl. 2019; produced by Marie-Pierre Bousquet, fl. 2011, Théâtre national de Chaillot and Axe Sud; performed by Via Katlehong (Paris, Ile-de-France: Windrose SAS, 2017), 1 hour 7 mins
Cite Playlist Embed/Link
Description
Permanent choreographer at the Théâtre de Chaillot (Paris), José Montalvo created a hybrid contemporary ballet, with flamenco, Stravinsky's The Rite of Spring, hits of his adolescence, traditional African songs and hip hop. Eleven dancers and five Spanish dancers-singers will make you vibrate! Shot in Théâtre National de Chaillot.
Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Via Katlehong
Contributor
José Montalvo, Rose-Marie Melka, fl. 1982, Vincent Paoli, fl. 2010, Gilles Durand, fl. 2019, Marie-Pierre Bousquet, fl. 2011, Théâtre national de Chaillot, Axe Sud
Author / Creator
José Montalvo, Greg Germain, 1947-, Via Katlehong
Date Published / Released
2017
Publisher
Windrose SAS
Copyright Message
Copyright © 2017 Axe Sud -Théâtre National de Chaillot
×
Dance Magazine, Vol. 91, no. 12, December, 2017
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Dance Magazine, Vol. 91, no. 12, December, 2017

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 91, no. 12, December, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 132 page(s)
Dance Magazine is a trade publication for dance.
Sample

Dance Magazine, Vol. 91, no. 12, December, 2017

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 91, no. 12, December, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 132 page(s)
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Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2017-12, 2017
Publisher
DanceMedia
Series
Dance Magazine
Topic / Theme
Dance and dancing
Sections
×
Dance Magazine, Vol. 91, no. 11, November, 2017
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Dance Magazine, Vol. 91, no. 11, November, 2017

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 91, no. 11, November, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 76 page(s)
Dance Magazine is a trade publication for dance.
Sample

Dance Magazine, Vol. 91, no. 11, November, 2017

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 91, no. 11, November, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 76 page(s)
Cite Playlist Embed/Link
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2017-11, 2017
Publisher
DanceMedia
Series
Dance Magazine
Topic / Theme
Dance and dancing
Sections
×
Dance Magazine, Vol. 91, no. 10, October, 2017
See details

Dance Magazine, Vol. 91, no. 10, October, 2017

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 91, no. 10, October, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 84 page(s)
Dance Magazine is a trade publication for dance.
Sample

Dance Magazine, Vol. 91, no. 10, October, 2017

edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 91, no. 10, October, 2017 (New York, NY: DanceMedia, 2017, originally published 2017), 84 page(s)
Cite Playlist Embed/Link
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2017-10, 2017
Publisher
DanceMedia
Series
Dance Magazine
Topic / Theme
Dance and dancing
Sections
×

Pages