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Ce que le jour doit à la nuit
directed by Patrick Lauze, fl. 2008; choreographed by Hervé Koubi, fl. 2000; designed by Guillaume Gabriel, fl. 2001, Lionel Buzonie, fl. 2006; produced by Sonia Páramo, fl. 2008, Les Films Figures Libres, ViàOccitanie, Mezzo and France 3; performed by Compagnie Hervé Koubi (London, England: Marquee Arts, 2018), 1 hour 1 mins
French-based Compagnie Hervé Koubi performs What The Day Owes To The Night, a highly physical, stunningly fluid work for twelve French-Algerian and African dancers. Choreographer Hervé Koubi was inspired by his father’s deathbed revelation that Koubi’s family originated in Algeria, rather than in France as K...
Sample
directed by Patrick Lauze, fl. 2008; choreographed by Hervé Koubi, fl. 2000; designed by Guillaume Gabriel, fl. 2001, Lionel Buzonie, fl. 2006; produced by Sonia Páramo, fl. 2008, Les Films Figures Libres, ViàOccitanie, Mezzo and France 3; performed by Compagnie Hervé Koubi (London, England: Marquee Arts, 2018), 1 hour 1 mins
Description
French-based Compagnie Hervé Koubi performs What The Day Owes To The Night, a highly physical, stunningly fluid work for twelve French-Algerian and African dancers. Choreographer Hervé Koubi was inspired by his father’s deathbed revelation that Koubi’s family originated in Algeria, rather than in France as Koubi had believed. Exploring the artist’s newfound roots, this spellbinding work combines capoeira, martial arts, hip hop, and contem...
French-based Compagnie Hervé Koubi performs What The Day Owes To The Night, a highly physical, stunningly fluid work for twelve French-Algerian and African dancers. Choreographer Hervé Koubi was inspired by his father’s deathbed revelation that Koubi’s family originated in Algeria, rather than in France as Koubi had believed. Exploring the artist’s newfound roots, this spellbinding work combines capoeira, martial arts, hip hop, and contemporary dance with powerful imagery evocative of Orientalist paintings - depictions of the Eastern world by European artists - and Islamic architecture. Though thrillingly kinetic, what lingers about the piece is the transcendence of a journey home.
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Compagnie Hervé Koubi
Contributor
Hervé Koubi, fl. 2000, Guillaume Gabriel, fl. 2001, Lionel Buzonie, fl. 2006, Sonia Páramo, fl. 2008, Les Films Figures Libres, ViàOccitanie, Mezzo, France 3, Maxime Bodson, fl. 2001, Hamza El Din, 1929-2006, Johann Sebastian Bach, 1685-1750
Author / Creator
Hervé Koubi, fl. 2000, Patrick Lauze, fl. 2008, Compagnie Hervé Koubi
Date Published / Released
2018
Publisher
Marquee Arts
Copyright Message
Copyright © 2018 Marquee Arts
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Danses Sacrales
directed by Patrick Lauze, fl. 2008; produced by Sonia Páramo, fl. 2008, Les Films Figures Libres and Mezzo; performed by Danza Contemporánea de Cuba (London, England: Marquee Arts, 2018), 1 hour 52 mins
The Sacral Dance' is production created by Christophe Béranger et Jonathan Pranlas-Descours for the infamous Compañia de Danza Contemporánea de Cuba. The performance was performed at the historic Garcia Lorca Theater in Havana and features Cuban drumming paired with Igor Stravinsky's time-honored score 'The Rit...
Sample
directed by Patrick Lauze, fl. 2008; produced by Sonia Páramo, fl. 2008, Les Films Figures Libres and Mezzo; performed by Danza Contemporánea de Cuba (London, England: Marquee Arts, 2018), 1 hour 52 mins
Description
The Sacral Dance' is production created by Christophe Béranger et Jonathan Pranlas-Descours for the infamous Compañia de Danza Contemporánea de Cuba. The performance was performed at the historic Garcia Lorca Theater in Havana and features Cuban drumming paired with Igor Stravinsky's time-honored score 'The Rite of Spring' - making this production very close to home for the 60 year-old company and its long legacy. The strong presence of Stravi...
The Sacral Dance' is production created by Christophe Béranger et Jonathan Pranlas-Descours for the infamous Compañia de Danza Contemporánea de Cuba. The performance was performed at the historic Garcia Lorca Theater in Havana and features Cuban drumming paired with Igor Stravinsky's time-honored score 'The Rite of Spring' - making this production very close to home for the 60 year-old company and its long legacy. The strong presence of Stravinsky's tune contrasts with two scenes, "The Adoration of the Earth" and "The Sacrifice". France.TV notes that the piece shows "... the interweaving of these two dimensions, the ritual and the magic, [is] implemented in this creation [and] supported by songs and the direction of Miguel Iglesias Ferrer."
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Field of Study
Dance
Content Type
Performance
Performer / Ensemble
Danza Contemporánea de Cuba
Contributor
Sonia Páramo, fl. 2008, Les Films Figures Libres, Mezzo
Author / Creator
Patrick Lauze, fl. 2008, Danza Contemporánea de Cuba
Date Published / Released
2018
Publisher
Marquee Arts
Copyright Message
Copyright © 2018 Marquee Arts
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Conquest and Prison
directed by Mark Freeman, 1949-; produced by Mark Freeman, 1949-, Mark Freeman Films (San Diego, CA: Mark Freeman Films, 2018), 8 mins
Conquest and Prison is a two-part suite of site-specific dance films set in Grahamstown, South Africa. Part I –– Oscar’s Journey –– is a solo performance by Oscar Buthelezi, the first African choreographer to win the prestigious Kurt Jooss Prize (Road 2016). This personal work combines spoken word and a...
Sample
directed by Mark Freeman, 1949-; produced by Mark Freeman, 1949-, Mark Freeman Films (San Diego, CA: Mark Freeman Films, 2018), 8 mins
Description
Conquest and Prison is a two-part suite of site-specific dance films set in Grahamstown, South Africa. Part I –– Oscar’s Journey –– is a solo performance by Oscar Buthelezi, the first African choreographer to win the prestigious Kurt Jooss Prize (Road 2016). This personal work combines spoken word and a performance at British built Ft. Selwyn.
Part II –– Child’s Play–– features Lorin Sookool and Julia Wilson at the Old Gaol, which impri...
Conquest and Prison is a two-part suite of site-specific dance films set in Grahamstown, South Africa. Part I –– Oscar’s Journey –– is a solo performance by Oscar Buthelezi, the first African choreographer to win the prestigious Kurt Jooss Prize (Road 2016). This personal work combines spoken word and a performance at British built Ft. Selwyn.
Part II –– Child’s Play–– features Lorin Sookool and Julia Wilson at the Old Gaol, which imprisoned 1000’s of black South Africans. This virtual duet attempts to reclaim and re-imagine this site of suffering.
Dance is a form of a visual poetry. The words of the dancers reverberate in the space between past and present in South Africa.
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Field of Study
Dance
Content Type
Performance
Contributor
Mark Freeman, 1949-, Mark Freeman Films
Author / Creator
Mark Freeman, 1949-
Date Published / Released
2018
Publisher
Mark Freeman Films
Copyright Message
Copyright © 2018 Mark Freeman Films
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Contact Quarterly, Vol. 43, No. 1, Winter/Spring 2018, CI Online Newsletter
edited by Colleen Bartley, fl. 2014 and Nancy Stark Smith, 1952-, in Contact Quarterly, Vol. 43, No. 1, Winter/Spring 2018, CI Online Newsletter (Northampton, MA: Contact Quarterly (Journal), 2018), 16 page(s),
Source: contactquarterly.com
Source: contactquarterly.com
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Sample
edited by Colleen Bartley, fl. 2014 and Nancy Stark Smith, 1952-, in Contact Quarterly, Vol. 43, No. 1, Winter/Spring 2018, CI Online Newsletter (Northampton, MA: Contact Quarterly (Journal), 2018), 16 page(s),
Source: contactquarterly.com
Source: contactquarterly.com
Description
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Colleen Bartley, fl. 2014, Nancy Stark Smith, 1952-
Date Published / Released
2018
Publisher
Contact Quarterly (Journal)
Series
Contact Quarterly
Topic / Theme
Dance and dancing, Dance theory, Dance technique, Contact Improvisation
Copyright Message
Copyright © 2018 Contact Quarterly
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Contact Quarterly, Vol. 43, No. 1, Winter/Spring 2018, Special Focus: Influence and Acknowledgement
edited by Nancy Stark Smith, 1952-, Lisa Nelson, 1949- and Melinda Buckwalter, fl. 2003, in Contact Quarterly, Vol. 43, No. 1, Winter/Spring 2018, Special Focus: Influence and Acknowledgement (Northampton, MA: Contact Quarterly (Journal), 2018), 82 page(s)
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Sample
edited by Nancy Stark Smith, 1952-, Lisa Nelson, 1949- and Melinda Buckwalter, fl. 2003, in Contact Quarterly, Vol. 43, No. 1, Winter/Spring 2018, Special Focus: Influence and Acknowledgement (Northampton, MA: Contact Quarterly (Journal), 2018), 82 page(s)
Description
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Nancy Stark Smith, 1952-, Lisa Nelson, 1949-, Melinda Buckwalter, fl. 2003
Date Published / Released
2018
Publisher
Contact Quarterly (Journal)
Series
Contact Quarterly
Topic / Theme
Dance and dancing, Dance theory, Dance technique, Contact Improvisation
Copyright Message
Copyright © Contact Quarterly Contact Quarterly
×
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Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018, Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018, with Folio 3: Welcome to Choreomun...
edited by Nancy Stark Smith, 1952-, Lisa Nelson, 1949- and Melinda Buckwalter, fl. 2003, in Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018 (Northampton, MA: Contact Quarterly (Journal), 2018), 74 page(s)
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Sample
edited by Nancy Stark Smith, 1952-, Lisa Nelson, 1949- and Melinda Buckwalter, fl. 2003, in Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018 (Northampton, MA: Contact Quarterly (Journal), 2018), 74 page(s)
Description
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Nancy Stark Smith, 1952-, Lisa Nelson, 1949-, Melinda Buckwalter, fl. 2003
Date Published / Released
2018
Publisher
Contact Quarterly (Journal)
Series
Contact Quarterly
Topic / Theme
Dance theory, Dance technique, Contact Improvisation
Copyright Message
Copyright © Contact Quarterly Contact Quarterly
×
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Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018, CI Online Newsletter
edited by Colleen Bartley, fl. 2014 and Nancy Stark Smith, 1952-, in Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018, CI Online Newsletter (Northampton, MA: Contact Quarterly (Journal), 2018), 78 page(s),
Source: contactquarterly.com
Source: contactquarterly.com
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Sample
edited by Colleen Bartley, fl. 2014 and Nancy Stark Smith, 1952-, in Contact Quarterly, Vol. 43, No. 2, Summer/Fall 2018, CI Online Newsletter (Northampton, MA: Contact Quarterly (Journal), 2018), 78 page(s),
Source: contactquarterly.com
Source: contactquarterly.com
Description
Contact Quarterly is an international journal of dance, improvisation, performance, and contemporary movement arts.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Colleen Bartley, fl. 2014, Nancy Stark Smith, 1952-
Date Published / Released
2018
Publisher
Contact Quarterly (Journal)
Series
Contact Quarterly
Topic / Theme
Dance and dancing, Dance theory, Dance technique, Contact Improvisation
Copyright Message
Copyright © 2018 Contact Quarterly
×
See details
Dance Magazine, Vol. 92, no. 11, November, 2018
edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 11, November, 2018 (New York, NY: DanceMedia, 2018), 124 page(s)
Dance Magazine is a trade publication for dance.
Sample
edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 11, November, 2018 (New York, NY: DanceMedia, 2018), 124 page(s)
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2018-11, 2018
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Alonzo King, 1952-, Ryan Steele, 1990-, Jerome Robbins, 1918-1998, Margaret Selby, fl. 1999, Yabin Wang, Bobbi Jene Smith, fl. 2018
Topic / Theme
Dance and dancing, Dancers, Ballet
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Dance Magazine, Vol. 92, no. 12, December, 2018
edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 12, December, 2018 (New York, NY: DanceMedia, 2018), 76 page(s)
Dance Magazine is a trade publication for dance.
Sample
edited by Jennifer Stahl, 1988-, in Dance Magazine, Vol. 92, no. 12, December, 2018 (New York, NY: DanceMedia, 2018), 76 page(s)
Description
Dance Magazine is a trade publication for dance.
Field of Study
Dance
Content Type
Periodical issue
Contributor
Jennifer Stahl, 1988-
Date Published / Released
2018-12, 2018
Publisher
DanceMedia
Series
Dance Magazine
Person Discussed
Ari Groover, Ashley Wegmann, Laine Habony, fl. 2013, Irina Dvorovenko, fl. 2007, Mana Hashimoto, Adji Cissoko, fl. 2017
Topic / Theme
Dance and dancing, Dancers, Ballet
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Iconic India
produced by Cable News Network (CNN) (Atlanta, GA: Cable News Network (CNN), 2018), 23 mins
From movements rooted in the Hindu faith to choreography that blends in outside influences, CNN takes the pulse of India’s dance scene of the street, temple and stage.
Sample
produced by Cable News Network (CNN) (Atlanta, GA: Cable News Network (CNN), 2018), 23 mins
Description
From movements rooted in the Hindu faith to choreography that blends in outside influences, CNN takes the pulse of India’s dance scene of the street, temple and stage.
Field of Study
Anthropology
Content Type
Documentary
Contributor
Cable News Network (CNN)
Date Published / Released
2018
Publisher
Cable News Network (CNN)
Person Discussed
Saroja Vaidyanathan, 1937-, Shiamak Davar, 1961-, Shakti Mohan, 1985-, Terence Lewis, 1975-
Topic / Theme
Indians (Asian)
Copyright Message
Copyright © 2018 CNN Newsource Sales
×
