Browse Title - 46 results
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Abraham & Balthasar
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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The Apothecary
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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Benvolio
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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Brother John
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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Capulet Serving Boys
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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8 Digital Mixed Media Costume Rendering
written by Huaixiang Tan, fl. 2010; in Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers (New York, NY: Routledge (Publisher), 2018, originally published 2010), 313-400
Sample
written by Huaixiang Tan, fl. 2010; in Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers (New York, NY: Routledge (Publisher), 2018, originally published 2010), 313-400
Field of Study
Theatre
Content Type
Chapter
Author / Creator
Huaixiang Tan, fl. 2010
Date Published / Released
2010, 2018
Publisher
Routledge (Publisher)
Topic / Theme
Drawing and drawings, Costume design, Costumes, Art techniques
Copyright Message
Copyright © 2018 Taylor & Francis
Play/Work
Romeo and Juliet, Veronica's Room, The House at Pooh Corner, Dames at Sea, Spunk and the Harlem Literati
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Citizens
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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The County Paris & Page
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Sample
in Deirdre Clancy Personal Papers (Folio 25: Henry Vlll, Henry lV, Julius Caesar, All’s Well That Ends Well, Romeo and Juliet, Romeo and Juliet - Royal Shakespeare Company, Stratford-upon-Avon, United Kingdom and London, United Kingdom, 2004) (2004); designed by Deirdre Clancy, 1943- , 1 page(s)
Date Written / Recorded
2004
Field of Study
Theatre
Content Type
Sketch
Contributor
Deirdre Clancy, 1943-
Copyright Message
Copyright © 2017 Deirdre Clancy. Used with Permission.
Play/Work
Romeo and Juliet
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Part Two: Finding a Voice
written by Bonnie Kruger, fl. 2014 and Holly Poe Durbin, fl. 1995; in The Designs of Ann Roth (Syracuse, NY: USITT, 2014)
The Designs of Ann Roth is the ninth book in USITT's ongoing series of monographs on America's best theatrical designers. It documents Oscar and Tony winning costume designer Ann Roth's 50-year career costuming Broadway and Hollywood, with more than 100 photographs and renderings. It includes a foreword by Roth fr...
Sample
written by Bonnie Kruger, fl. 2014 and Holly Poe Durbin, fl. 1995; in The Designs of Ann Roth (Syracuse, NY: USITT, 2014)
Description
The Designs of Ann Roth is the ninth book in USITT's ongoing series of monographs on America's best theatrical designers. It documents Oscar and Tony winning costume designer Ann Roth's 50-year career costuming Broadway and Hollywood, with more than 100 photographs and renderings. It includes a foreword by Roth friend and collaborator, Director Mike Nichols.
Field of Study
Theatre
Content Type
Chapter
Author / Creator
Bonnie Kruger, fl. 2014, Holly Poe Durbin, fl. 1995
Date Published / Released
2014
Publisher
USITT
Person Discussed
Ann Roth, 1931-
Topic / Theme
Costume design
Copyright Message
Copyright © 2014 United States Institute for Theatre Technology
Play/Work
The Merchant of Venice, Romeo and Juliet, The Odd Couple: A Comedy In Three Acts, Purlie Victorious, The Disenchanted
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The Designs of Ming Cho Lee
written by Delbert Unruh, fl. 2007 (Syracuse, NY: USITT, 2006), 114 page(s)
Winner of the 2014 George Freedley Memorial award. "A gorgeous volume [that] celebrates the legacy of Lee." – Time Out New York. "Whether working in theater, opera or dance, Ming Cho Lee has made an incalculable contribution to the performing arts in America. This elegant coffee table book, written by Arnold Aro...
Sample
written by Delbert Unruh, fl. 2007 (Syracuse, NY: USITT, 2006), 114 page(s)
Description
Winner of the 2014 George Freedley Memorial award. "A gorgeous volume [that] celebrates the legacy of Lee." – Time Out New York. "Whether working in theater, opera or dance, Ming Cho Lee has made an incalculable contribution to the performing arts in America. This elegant coffee table book, written by Arnold Aronson, pays tribute in prose and photographs to his singular career." – Los Angeles Times "A comprehensive, compassionate and intellig...
Winner of the 2014 George Freedley Memorial award. "A gorgeous volume [that] celebrates the legacy of Lee." – Time Out New York. "Whether working in theater, opera or dance, Ming Cho Lee has made an incalculable contribution to the performing arts in America. This elegant coffee table book, written by Arnold Aronson, pays tribute in prose and photographs to his singular career." – Los Angeles Times "A comprehensive, compassionate and intelligent book... A book of major importance, a must-read for all theatre folk, indeed for anyone drawn to the mysteries of making art." Theatre Design & Technology. Ming Cho Lee is not only one of the most important American designers of the twentieth century, but one of the most significant influences on American theatre. As a designer, he drew upon his training in Chinese watercolor, the aesthetics of his mentors, Jo Mielziner and Boris Aronson, and the post-war developments in German design to develop a new approach to stage design that radically altered American scenography. He broke new ground, combined existing motifs in startling new ways, and continued to explore new ideas throughout his entire career. Lee introduced a sculptural style with soaring verticality that had been largely unknown to American stages. The painterly image was replaced with a decidedly modern and industrial scenic vocabulary that emphasized stage-as-stage. Lee has designed more than 300 productions of theatre, opera and dance, beginning with his first student work, The Silver Whistle at Occidental College in 1952, through his last productions in 2005. Unlike his predecessors, Lee did not make his mark on Broadway. Rather, it was achieved through some forty productions with the New York Shakespeare Festival, including eleven seasons at the Delacorte Theater from its opening in 1962; thirteen productions for New York City Opera, beginning with its inaugural production at Lincoln Center; five mainstage productions for the Metropolitan Opera, including Boris Godunov, which stayed in the repertoire for more than thirty years; twenty-one productions for Arena Stage in Washington D.C., and numerous other productions at regional theatres including the Mark Taper Forum in Los Angeles, Shakespeare Theatre Company in Washington, D.C., Long Wharf Theatre in New Haven, the Guthrie Theater in Minneapolis, and Actors Theatre of Louisville; and ten pieces for the Joffrey Ballet, as well as productions for Martha Graham, Alvin Ailey, Elliot Feld, the Pacific Northwest Ballet and Cloud Gate Dance Theatre of Taiwan. Called "the dean of American set designers" by the New York Times, Lee had an impact that goes well beyond his own work. As a teacher, including more than forty years at the Yale School of Drama, Lee shaped generations of theatre artists—not only set designers, but costume and lighting designers, as well as directors, writers and dramaturgs. It is through these students that he helped transform not only American scenography but the larger aesthetics of American theatre. For this richly detailed exploration of Lee's work, theatre historian Arnold Aronson spent hundreds of hours interviewing Lee at his legendary New York apartment. The book is both a study of and a conversation with Ming Cho Lee. Each image selected for this book was chosen personally by Lee from thousands of photos, drawings, sketches, renderings and models, all carefully cataloged by Lee's wife and lifelong archivist, Betsy. Lee's work has been showcased at the New York Public Library and the Yale School of Architecture, and his honors include a Tony Award for best scenic design of a play, an Outer Critics Circle Award, three Drama Desk Awards, a special Tony Award for lifetime achievement and the National Medal of the Arts, the highest national award given in the arts.
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Field of Study
Theatre
Content Type
Book
Author / Creator
Delbert Unruh, fl. 2007
Date Published / Released
2006
Publisher
USITT
Person Discussed
Ming Cho Lee, 1930-
Topic / Theme
Theatrical design, Set design and props
Copyright Message
Copyright © 2006 United States Institute for Theatre Technology
Sections
Play/Work:
Bomarzo, Lorenzaccio, Peer Gynt, Mourning Becomes Electra, King John, Macbeth, Othello, the Moor of Venice, The Comedy o...
Bomarzo, Lorenzaccio, Peer Gynt, Mourning Becomes Electra, King John, Macbeth, Othello, the Moor of Venice, The Comedy of Errors, Romeo and Juliet, The Hollow Lands, Angels in America, A Small Delegation, The Woman Warrior, The Entertainer, Traveler in the Dark, A Touch Of The Poet, Death of a Salesman, Long Day's Journey Into Night, Ah Wilderness, K2, Dom Juan, Hamlet
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Play/Work:
Portrait of the Families, Stuff Happens, Annie, A Moon for the Misbegotten, Rashomon, Nine Songs, Romeo and Juliet, Th...
Portrait of the Families, Stuff Happens, Annie, A Moon for the Misbegotten, Rashomon, Nine Songs, Romeo and Juliet, The Firebird, Boris Godunov, Khovanshchina
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