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4 Students
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written by Jordan Laffrenier, fl. 2015, in Black Lives Black Words, edited by Reginald Edmund. (London, England: Oberon Books, 2017), p. NA (2017, originally published 2017), 10 page(s)
written by Jordan Laffrenier, fl. 2015, in Black Lives Black Words, edited by Reginald Edmund. (London, England: Oberon Books, 2017), p. NA (2017, originally published 2017), 10 page(s)
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35 Cents
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written by Paul Anthony Morris, fl. 2008, in Hidden Gems: Contemporary Black British Plays, ed. by Dierdre Osborne. (London: Oberon Books, 2008). p. NA (2008, originally published 2008), 74 page(s)
written by Paul Anthony Morris, fl. 2008, in Hidden Gems: Contemporary Black British Plays, ed. by Dierdre Osborne. (London: Oberon Books, 2008). p. NA (2008, originally published 2008), 74 page(s)
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42: Approaching Theatrical Design Theory
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written by David E. Shuhy, fl. 2003 (Ann Arbor, MI: University Microfilm, 2003), 250 page(s)
Conceptualization, as an act of creation, is central in the process of theatrical design. The process of applying research, intuition and creativity to the transient act of theatre allows a designer to create works which are more than only passable or serviceable, but worthy of admiration in and of themselves. How...
written by David E. Shuhy, fl. 2003 (Ann Arbor, MI: University Microfilm, 2003), 250 page(s)
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54% Acrylic
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written by David Harrower, 1966-, in Scottish Shorts, edited by Philip Howard. (London: Nick Hern Books, 2010). pp. 113-155 (London, England: Nick Hern Books, 2015, originally published 2010), 45 page(s)
When a young woman shoplifts for the first time, the store detective decides to give chase, but just how far is he prepared to go?
written by David Harrower, 1966-, in Scottish Shorts, edited by Philip Howard. (London: Nick Hern Books, 2010). pp. 113-155 (London, England: Nick Hern Books, 2015, originally published 2010), 45 page(s)
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603
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written by Imad Farajin, fl. 2002, in Plays from the Arab World, edited by Elyse Dodgson. (London: Nick Hern Books, 2010). pp. 31-69 (London, England: Nick Hern Books, 2010, originally published 2010), 41 page(s)
Four Palestinian men share a cramped prison cell listening to the buses come and go outside. Will the next bus be the one to take them home?
written by Imad Farajin, fl. 2002, in Plays from the Arab World, edited by Elyse Dodgson. (London: Nick Hern Books, 2010). pp. 31-69 (London, England: Nick Hern Books, 2010, originally published 2010), 41 page(s)
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48-98
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written by Sol B. River, fl. 1994, in Plays Two, by Sol B. River. (London: Oberon Books, 2003), p. NA (2003, originally published 2003), 31 page(s)
written by Sol B. River, fl. 1994, in Plays Two, by Sol B. River. (London: Oberon Books, 2003), p. NA (2003, originally published 2003), 31 page(s)
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The 14th Tale
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written by Inua Ellams, 1984- (London, England: Oberon Books, 2015, originally published 2009), 41 page(s)
The 14th Tale is a beautiful mellifluous narrative that tells the hilarious exploits of a natural born mischief, growing from the clay streets of Nigeria to rooftops in Dublin and finally to London.
written by Inua Ellams, 1984- (London, England: Oberon Books, 2015, originally published 2009), 41 page(s)
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Abe Lincoln and Uncle Tom in the White House
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written by Carlyle Brown, fl. 2002 (New York, NY: Dramatists Play Service, 2008, originally published 2008), 35 page(s)
written by Carlyle Brown, fl. 2002 (New York, NY: Dramatists Play Service, 2008, originally published 2008), 35 page(s)
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Absolution
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written by Malika Booker, fl. 1999, in Hidden Gems Vol. II: Contemporary Black British Plays, ed. by Deirdre Osborne. (London: Oberon Books, 2012). p. NA (2012, originally published 2012), 32 page(s)
written by Malika Booker, fl. 1999, in Hidden Gems Vol. II: Contemporary Black British Plays, ed. by Deirdre Osborne. (London: Oberon Books, 2012). p. NA (2012, originally published 2012), 32 page(s)
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Back matter
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written by Richard C. Beacham, 1946-; in Adolphe Appia: Artist and Visionary of the Modern Theatre (New York, NY: Routledge (Publisher), 2013, originally published 1994), 297-307
written by Richard C. Beacham, 1946-; in Adolphe Appia: Artist and Visionary of the Modern Theatre (New York, NY: Routledge (Publisher), 2013, originally published 1994), 297-307
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