238 results for your search

The Active Centre: Integrative Training for the Voice and Body - Ultrasound Demonstrations Using Selected Exercises
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produced by Voice Theatre Lab (Melbourne, Victoria: Contemporary Arts Media, 2014), 9 mins

The Active Centre: Integrative Training for the Voice and Body - Ultrasound Demonstrations Using Selected Exercises by Robert Lewis, Lecturer in Voice and Theatre, and Theatre Sub-Dean. He is a graduate of the National Institute of Dramatic Art (NIDA), University of Tasmania, Monash University and RMIT. Robert is...

produced by Voice Theatre Lab (Melbourne, Victoria: Contemporary Arts Media, 2014), 9 mins
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Body Listening, Part 1
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directed by David Pledger, fl. 1999; produced by Lydia Teychenne, fl. 2012, Not Yet It's Difficult (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 26 mins

Developed by David Pledger, Artistic Director of Australian performance company 'not yet it's difficult' (NYID), the workshop video takes the viewer through exercises that form the basis of the methodology of body listening. Joined on the floor with actors, dancers and musicians from NYID and the Korean company, W...

directed by David Pledger, fl. 1999; produced by Lydia Teychenne, fl. 2012, Not Yet It's Difficult (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 26 mins
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Producing for the Theatre, Business Of The Theater: Randy Snow, David Elzer
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directed by Bill Carroll; produced by Jennifer Ream, fl. 2006-2012, TMW Media Group; interview by Nate Bynum, fl. 2005 and Mike Merrick, fl. 1973-1986, in Producing for the Theatre (Los Angeles, CA: TMW Media Group, 2006), 50 mins
This series describes the business aspect of producing the play, how you raise the money to capitalize a play or musical, structuring budgets to account for pre-production and 'running' costs, and developing a marketing/publicity and advertising plan. It features theater professionals, including noted publicist Da...
directed by Bill Carroll; produced by Jennifer Ream, fl. 2006-2012, TMW Media Group; interview by Nate Bynum, fl. 2005 and Mike Merrick, fl. 1973-1986, in Producing for the Theatre (Los Angeles, CA: TMW Media Group, 2006), 50 mins
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Circus OZ: Tim Coldwell
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(Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 14 mins

Tim Coldwell (Circus Oz)Circus Oz was founded in late 1977 as an amalgamation of two already successful Australian groups, Soapbox Circus and the New Circus. The principles that were the heart of the original Circus Oz philosophy are still reflected in their performances today: collective ownership and creation, gender equity, a uniquely Australian signature and team work.

The founding members of Circus Oz loved the skills and tricks of traditional circus but wanted to make a new show that a contemporary audience could relate to, adding elements of rock 'n' roll, popular theatre and satire. They wanted it to be funny, irreverent and spectacular, a celebration of the group as a bunch of multi-skilled individual women and men, rather than a hierarchy of stars. Above all, they didn't want to take themselves too seriously. They sewed and welded together their own circus tent, got together a collection of old trucks and caravans and went on the road. Circus Oz was a fresh and original voice in circus and the company was immediately popular with Australian audiences. Within a few years, they began to tour internationally, with visits to New Guinea and Europe.

Since that time Circus Oz has performed in 26 different countries, across five continents and to over two million people. They have broken box office records at the Edinburgh Fringe Festival and represented Australia at scores of international festivals. They have performed on 42nd Street, at the Tivoli Gardens, in a refugee camp in the West Bank, in indigenous communities in the Australian desert and in a glass opera house in the Brazilian rainforest.

Along the way they have translated parts of the show into scores of languages including Hindi, Japanese and Danish.

(Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 14 mins
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College Brecht: Workshopping Brecht
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produced by Xaverian College. Drama Department (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 29 mins

The film presents a series of workshops with college students, aged 16-18, to suggest approaches to Brecht as playwright and practitioner. The sessions could be adapted to suit high school, undergraduate or youth theatre groups.

Rob Faulkner and Wynn Moran, who teach Drama at Xaverian Sixth Form College, Mancheste...

produced by Xaverian College. Drama Department (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 29 mins
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Contemporary Performance Works by Jessica Wilson: Puppetry and Spectacle, Part 1
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directed by Jessica Wilson, fl. 2009; produced by Jessica Wilson, fl. 2009, Jessica Wilson Productions (Melbourne, Victoria: Contemporary Arts Media, 2009, originally published 2009), 28 mins
Puppetry and Spectacle - Part 1 of 2 - with excerpts from seven performances by Jessica Wilson. These works are defined by their rich visual narratives and seamless combination of art forms including puppetry, physical performance and projected image.

Part 1 features excerpts of seven selected works by Jessica Wil...

directed by Jessica Wilson, fl. 2009; produced by Jessica Wilson, fl. 2009, Jessica Wilson Productions (Melbourne, Victoria: Contemporary Arts Media, 2009, originally published 2009), 28 mins
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Drama, Comedy
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produced by Andrew Preston, fl. 1995, in Drama (Melbourne, Victoria: Appleseed Media Group, 1995), 36 mins
This video discusses how to write material for different performance venues, distinguishes between scripted and improvisational material, and examines timing, voice, body language, and facial expression. It also considers the use of props, costumes, and music.
produced by Andrew Preston, fl. 1995, in Drama (Melbourne, Victoria: Appleseed Media Group, 1995), 36 mins
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Drama: Play, Performance, Perception, 4 of 14, Strindberg's The Ghost Sonata
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directed by Andrew Martin, fl. 1978; produced by Andrew Martin, fl. 1978, Miami Dade College, British Broadcasting Corporation and Open University, in Drama: Play, Performance, Perception, 4 of 14 (Miami, FL: Miami Dade College, 1978), 1 hour
Strindberg's THE GHOST SONATA, one of 14 productions in the series, DRAMA: PLAY, PERFORMANCE, PERCEPTION, is structured around the thematic related study module: Playwrights and Plotting.

DRAMA: PLAY, PERFORMANCE, PERCEPTION is an introduction to theater course consisting of 14 one-hour videotape productions. Eac...

directed by Andrew Martin, fl. 1978; produced by Andrew Martin, fl. 1978, Miami Dade College, British Broadcasting Corporation and Open University, in Drama: Play, Performance, Perception, 4 of 14 (Miami, FL: Miami Dade College, 1978), 1 hour
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Drama: Play, Performance, Perception, 8 of 14, Shaw's Saint Joan
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directed by Andrew Martin, fl. 1978; produced by Andrew Martin, fl. 1978, Miami Dade College, British Broadcasting Corporation and Open University, in Drama: Play, Performance, Perception, 8 of 14 (Miami, FL: Miami Dade College, 1978), 59 mins
Shaw's SAINT JOAN, one of 14 productions in the series, DRAMA: PLAY, PERFORMANCE, PERCEPTION, is structured around the thematic study module: Dramatis Personae.

DRAMA: PLAY, PERFORMANCE, PERCEPTION is an introduction to theater course consisting of 14 one-hour videotape productions. Each play, skillfully edited b...

directed by Andrew Martin, fl. 1978; produced by Andrew Martin, fl. 1978, Miami Dade College, British Broadcasting Corporation and Open University, in Drama: Play, Performance, Perception, 8 of 14 (Miami, FL: Miami Dade College, 1978), 59 mins
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Drama: Play, Performance, Perception, 11 of 14, Jarry's Ubu Roi
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directed by Andrew Martin, fl. 1978; produced by Andrew Martin, fl. 1978, Miami Dade College, British Broadcasting Corporation and Open University, in Drama: Play, Performance, Perception, 11 of 14 (Miami, FL: Miami Dade College, 1978), 1 hour
Jarry's UBU ROI, one of 14 productions in the series, DRAMA: PLAY, PERFORMANCE, PERCEPTION, is structured around the thematic related study module: Conventions of Theater.

DRAMA: PLAY, PERFORMANCE, PERCEPTION is an introduction to theater course consisting of 14 one-hour videotape productions. Each play, skillful...

directed by Andrew Martin, fl. 1978; produced by Andrew Martin, fl. 1978, Miami Dade College, British Broadcasting Corporation and Open University, in Drama: Play, Performance, Perception, 11 of 14 (Miami, FL: Miami Dade College, 1978), 1 hour
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