194 results for your search

Black T-Shirt Collection
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written by Inua Ellams, 1984-, in Black T-Shirt Collection by Inua Ellams. (London: Oberon Books, 2012). p. NA (2012, originally published 2012), 53 page(s)
‘He unfurls, slow, like a dust flower, except, he is looking at his black shirt.Santana’s footprint: stamped on his chest; perfect stone crystals glinting in the grooves…’

From Fringe First winner Inua Ellams comes a new story about two foster brothers building a global T-shirt brand. On their journey from a marke...

written by Inua Ellams, 1984-, in Black T-Shirt Collection by Inua Ellams. (London: Oberon Books, 2012). p. NA (2012, originally published 2012), 53 page(s)
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Body Listening, Part 1
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directed by David Pledger, fl. 1999; produced by Lydia Teychenne, fl. 2012, Not Yet It's Difficult (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 26 mins

Developed by David Pledger, Artistic Director of Australian performance company 'not yet it's difficult' (NYID), the workshop video takes the viewer through exercises that form the basis of the methodology of body listening. Joined on the floor with actors, dancers and musicians from NYID and the Korean company, W...

directed by David Pledger, fl. 1999; produced by Lydia Teychenne, fl. 2012, Not Yet It's Difficult (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 26 mins
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Burnous for Travelling & Lurking Richard’s Thugs?
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in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, Richard III - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, Richard III - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
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Circus OZ: Tim Coldwell
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(Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 14 mins

Tim Coldwell (Circus Oz)Circus Oz was founded in late 1977 as an amalgamation of two already successful Australian groups, Soapbox Circus and the New Circus. The principles that were the heart of the original Circus Oz philosophy are still reflected in their performances today: collective ownership and creation, gender equity, a uniquely Australian signature and team work.

The founding members of Circus Oz loved the skills and tricks of traditional circus but wanted to make a new show that a contemporary audience could relate to, adding elements of rock 'n' roll, popular theatre and satire. They wanted it to be funny, irreverent and spectacular, a celebration of the group as a bunch of multi-skilled individual women and men, rather than a hierarchy of stars. Above all, they didn't want to take themselves too seriously. They sewed and welded together their own circus tent, got together a collection of old trucks and caravans and went on the road. Circus Oz was a fresh and original voice in circus and the company was immediately popular with Australian audiences. Within a few years, they began to tour internationally, with visits to New Guinea and Europe.

Since that time Circus Oz has performed in 26 different countries, across five continents and to over two million people. They have broken box office records at the Edinburgh Fringe Festival and represented Australia at scores of international festivals. They have performed on 42nd Street, at the Tivoli Gardens, in a refugee camp in the West Bank, in indigenous communities in the Australian desert and in a glass opera house in the Brazilian rainforest.

Along the way they have translated parts of the show into scores of languages including Hindi, Japanese and Danish.

(Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 14 mins
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in Rob Eastman-Mullins Personal Papers (City of Angels) (2012); designed by Rob Eastman-Mullins, fl. 2000 , 2 page(s)
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College Brecht: Workshopping Brecht
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produced by Xaverian College. Drama Department (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 29 mins

The film presents a series of workshops with college students, aged 16-18, to suggest approaches to Brecht as playwright and practitioner. The sessions could be adapted to suit high school, undergraduate or youth theatre groups.

Rob Faulkner and Wynn Moran, who teach Drama at Xaverian Sixth Form College, Mancheste...

produced by Xaverian College. Drama Department (Melbourne, Victoria: Contemporary Arts Media, 2012, originally published 2012), 1 hour 29 mins
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Completeness
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written by Itamar Moses, 1977-, in The Oberon Anthology of Contemporary American Plays: Volume One, edited by Mark Subias. (London: Oberon Books, 2012), pp. 151-233 (2012, originally published 2012), 84 page(s)
COMPLETENESS by Itamar Moses (with an introduction by Doug Wright) Completeness is a 21st-century romantic comedy about the timeless confusions of love.“A funny, ridiculously smart new play. I haven’t seen another play recently that so perfectly captured love – hot-blooded, fearless, fickle – at this stage...
written by Itamar Moses, 1977-, in The Oberon Anthology of Contemporary American Plays: Volume One, edited by Mark Subias. (London: Oberon Books, 2012), pp. 151-233 (2012, originally published 2012), 84 page(s)
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Duchess of York, Deborah Radloff
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in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, Richard III - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, Richard III - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
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Duke Senior, in the Forest
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in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, As You Like It - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, As You Like It - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
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Edward IV Dying
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in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, Richard III - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
in Deirdre Clancy Personal Papers (Folio 29: Designs for Old Globe Theatre Productions, Richard III - Old Globe Theatre, San Diego, United States, 2012) (2012); designed by Deirdre Clancy, 1943- , 1 page(s)
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