Bobby Timmons Trio in Person: Recorded Live at the Village Vanguard

Bobby Timmons Trio in Person: Recorded Live at the Village Vanguard

performed by Bobby Timmons, 1935-1974, Ron Carter, 1937- and Tootie Heath, 1935-, Bobby Timmons Trio (Riverside, 1991), 52 mins, 10 page(s)

This is a sample. For full access:

Please choose from the following options to gain full access to this content

Log in via your academic institution

Details

Field of Interest
Jazz
Content Type
Music recording
Duration
52 mins
Ensemble
Bobby Timmons Trio
Format
Audio
Sub Genre
Piano Jazz, Modern Jazz
Label
Riverside
Page Count
10
Performer
Bobby Timmons, 1935-1974, Ron Carter, 1937-, Tootie Heath, 1935-
Date Recorded
1961-10-01
Release Date
1991
Review
This enjoyable LP presents a relaxed, agreeable live date, but not one that generates sparks. Pianist Bobby Timmons, who made his name as a writer and invaluable part of the rhythm section in the Art Blakey and Cannonball Adderley bands of the late '50s and early '60s, is a different proposition in his role here as a leader. Although able and energetic, Timmons demonstrates little taste for adventure and, consequently, can sustain himself in the spotlight only intermittently. Still, with Timmons in the company of bassist Ron Carter and drummer Albert Heath, both in their early twenties at the time of this 1961 recording, there would seem to have been potential for great things -- something beyond the sum of the parts. As it is, Carter and Heath provide little more than reliable support relative to their superior skills. Things may have sounded differently to the Village Vanguard audience, but on the LP Carter is uncharacteristically two-dimensional. His volume is about right, but the tone is rendered as an anonymous, mid-range pulsing. There is no sense of flesh, wood, and strings interacting with one another. Heath, predominantly using brushes, is also at about the right volume in the mix, but there are nuances missing and his snare is overemphasized. The players sound most together on the parts they've worked out, but the telepathy that distinguishes an excellent trio from an average one is missing in the group's improvisations. The result is a release that stops short of satisfying expectations. ~ Jim Todd, All Music Guide
Subject
Jazz, Music & Performing Arts, Piano Jazz, Jazz para Piano, Piano Jazz
Keywords and Translated Subjects
Jazz para Piano, Piano Jazz

View my Options

Listen Now

Create an account and get 24 hours access for free.

Spaces are not allowed; punctuation is not allowed except for periods, hyphens, apostrophes, and underscores.
Please enter a valid e-mail address. All e-mails from the system will be sent to this address. The e-mail address is not made public and will only be used if you wish to receive a new password or wish to receive certain news or notifications by e-mail.
This email will be your username
This is the name displayed to others on any playlists or clips you share
×