Theory and Notation in Japan

Theory and Notation in Japan

written by Komoda, Haruko and Nogawa, Mihoko; edited by Robert C. Provine, Yosihiko Tokumaru and J. Lawrence Witzleben (Routledge (Publisher), 2001), 20 page(s)

This is a sample. For full access:

Please choose from the following options to gain full access to this content

Log in via your academic institution

Details

Field of Interest
World Music
Author
Komoda, Haruko, Nogawa, Mihoko
Content Type
General reference book
Format
Text
Sub Genre
Chant
Page Count
20
Page Range
601-620
Publication Year
2001
Publisher
Routledge (Publisher)
Subject
World Music, Music & Performing Arts, East Asia: China, Japan, and Korea, Japanese, Chinese, Javanese, Haya, German, Greek, European, Buddhism, Ancient civilizations, Music theory, Columbus's First Voyage to America, 1492-1493, Drum, Pati, Gamelan, Pipe, Reed, Voice, Zither, Koto, Kunkaj, Biwa, Syakuhati, Ásia Oriental, China, japão e Coréia, Asia Oriental: China, Japón y Korea, Japón, Japão, Vietnã, Yosihiko Tokumaru, Robert Garfias, 1932-, Fumio Koizumi, 1927-1983, Robert Lachmann, 1892-1939, Sibata Minao, 1916-1995, Kanze Zeami Motokiyo, 1363-1443, Japan, China, Vietnam, Okinawa Prefecture
Keywords and Translated Subjects
Ásia Oriental, China, japão e Coréia, Asia Oriental: China, Japón y Korea, Japón, Japão, Vietnã

View my Options

View Now

Create an account and get 24 hours access for free.

Spaces are not allowed; punctuation is not allowed except for periods, hyphens, apostrophes, and underscores.
Please enter a valid e-mail address. All e-mails from the system will be sent to this address. The e-mail address is not made public and will only be used if you wish to receive a new password or wish to receive certain news or notifications by e-mail.
This email will be your username
This is the name displayed to others on any playlists or clips you share
×